Movie After Da Vinci Code
In May, Dan Brown released Inferno, the fourth book in his Robert Langdon series, and now, as these things go, it is in development to become a movie.Sony, who released The Da Vinci Code. Jun 23, 2016 - Reporting on movies, television, video games, and pop culture. How Inferno Differs From The Da Vinci Code, According To Ron Howard. Decades, and he has been cranking out original works year after year, from Splash.
The Da Vinci Code | |
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Directed by | Ron Howard |
Produced by | |
Screenplay by | Akiva Goldsman |
Based on | The Da Vinci Code by Dan Brown |
Starring | |
Music by | Hans Zimmer |
Cinematography | Salvatore Totino |
Edited by | |
Production companies |
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Distributed by | |
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148 minutes[1] | |
Country | United States |
Language | English |
Budget | $125 million[2] |
Box office | $758.2 million[2] |
The Da Vinci Code is a 2006 American mysterythriller film directed by Ron Howard, written by Akiva Goldsman, and based on Dan Brown's 2003 best-selling novel of the same name. The first in the Robert Langdon film series, the film stars Tom Hanks, Audrey Tautou, Sir Ian McKellen, Alfred Molina, Jürgen Prochnow, Jean Reno, and Paul Bettany. In the film, Robert Langdon, a professor of religious symbology from Harvard University, is the prime suspect in the grisly and unusual murder of Louvre curator Jacques Saunière. In the body, the police find a disconcerting cipher and start an investigation.[3] A noted British Grail historian named Sir Leigh Teabing tells them that the actual Holy Grail is explicitly encoded in Leonardo da Vinci's wall painting, The Last Supper. Also searching for the Grail is a secret cabal within Opus Dei, an actual prelature of the Holy See, who wish to keep the true Grail a secret to prevent the destruction of Christianity.
The film, like the book, was considered controversial. It was met with especially harsh criticism by the Roman Catholic Church for the accusation that it is behind a two-thousand-year-old cover-up concerning what the Holy Grail really is and the concept that Jesus Christ and Mary Magdalene were married and that the union produced a daughter, and for its treatment of the organizations Priory of Sion and Opus Dei. Many members urged the laity to boycott the film. In the book, Dan Brown states that the Priory of Sion and 'all descriptions of artwork, architecture, documents and secret rituals in this novel are accurate'.
The film grossed $224 million in its worldwide opening weekend and a total of $758 million worldwide, becoming the second-highest-grossing film of 2006. The film received generally negative reviews from critics. It was followed by two sequels, Angels & Demons (2009) and Inferno (2016).
- 3Production
- 4Catholic and other reactions
- 5Censorship
- 6Cast response
- 7Reactions to the film
- 7.4Box office response
- 10Sequels
Plot[edit]
Jacques Saunière, the Louvre's curator, is pursued through the Grand Gallery by an albinoCatholicmonk named Silas, who demands the location of the Priory's 'keystone' to find and destroy the Holy Grail. Saunière gives him a false lead and is murdered. When the police arrive, they find his body posed like Da Vinci's Vitruvian Man. The police captain, Bezu Fache, sends his lieutenant, Jérôme Collet, to summon American symbologistRobert Langdon, in the midst of signing autographs after one of his public talks, to examine Saunière's body.
At the museum, Langdon is shown the body, and a secret message, readable only by blacklight, that contains an out-of-order Fibonacci sequence. Sophie Neveu, a police cryptographer and Saunière's granddaughter, reveals to Langdon that Fache planted a tracker on him after finding the words 'P.S. Find Robert Langdon' at the end of Saunière's secret message, leading Fache to believe Langdon murdered Saunière. The two get rid of the tracker, distracting the police, and sneak around the Louvre, finding more clues in Leonardo da Vinci's works, eventually leading to Langdon to deduce that Saunière was the grand master of the Priory of Sion.
Silas is revealed to be working for an anonymous person named the Teacher, along with members of Opus Dei, led by Bishop Aringarosa. Evading the police, Langdon and Sophie travel to the Depository Bank of Zurich, where they access a safe deposit box of Saunière's, using the Fibonacci sequence. Inside the box is a cryptex, a cylindrical container that can only be safely opened by turning dials to spell a code word, and which contains a message on papyrus. The police arrive outside and Langdon and Sophie are aided by the bank manager, Andre Vernet, only for him to attempt to take the cryptex and murder them. Langdon disarms Vernet and flees with Sophie and the cryptex.
The two visit Langdon's friend, Sir Leigh Teabing, a Holy Grail expert who walks using crutches. Teabing claims the Grail is not a cup but instead, Mary Magdalene, who was not a prostitute but was in fact the wife of Jesus Christ. Teabing argues that she was pregnant during His crucifixion, and the Priory was formed to protect their descendants. The Opus Dei have been trying to destroy the Grail to preserve the credibility of the Vatican. Later, Silas breaks into Teabing's house, but Teabing, using one of his crutches, disables him. The group escapes to London via Teabing's private plane, along with his butler, Remy Jean. They travel to the Temple Church, but the clue to unlocking the cryptex is a red herring. Silas is freed by Remy while claiming to be the Teacher and taking Teabing hostage, dumping him in the car trunk, and taking Silas to hide out in an Opus Dei safe house. Teabing, who is revealed to be the Teacher, later poisons Remy and sends the police after Silas. Silas is shot by police after accidentally wounding Aringarosa, who is promptly arrested by Fache, who resents being used to hunt Langdon.
Langdon and Sophie are confronted by Teabing, who wants to bring down the Church for centuries of persecution and deceit. The trio goes to Westminster Abbey to the tomb of Isaac Newton, a former grand master of the Priory. Teabing demands that the pair open the cryptex. Langdon tries and then tosses the cryptex into the air. Teabing dives for it, catches it, but vinegar dribbles and the papyrus thought destroyed. The police arrive to arrest Teabing, who realizes Langdon must have solved the cryptex's code and removed the papyrus. The code is revealed to be 'APPLE', after the apocryphal myth of the apple which led Newton to discover his law of universal gravitation. The clue inside the cryptex, which tells of the Grail hiding ''neath the rose', leads Langdon and Sophie to Rosslyn Chapel in Scotland.
Inside the chapel, they discover Magdalene's tomb has been removed. Langdon, after searching through documents, realizes that Sophie's family died in a car crash, that Saunière was not her grandfather but her protector, and that she is the last descendant of Jesus Christ. The two are greeted by several members of the Priory, including Sophie's grandmother, who promises to protect her. Langdon and Sophie part ways, the former returning to Paris. While shaving, he cuts himself and has an epiphany when his blood curves down the sink, reminding him of the Rose Line. Realizing the true meaning of the cryptex clue, he follows the line to the Louvre, concluding the Holy Grail, the sarcophagus of Mary Magdalene, is hidden below the Pyramide Inversée. Langdon kneels above it.
Cast[edit]
- Tom Hanks as Robert Langdon
- Audrey Tautou as Sophie Neveu
- Ian McKellen as Sir Leigh Teabing
- Alfred Molina as Bishop Aringarosa
- Jürgen Prochnow as André Vernet
- Jean Reno as Police Captain Bezu Fache
- Paul Bettany as Silas
- Étienne Chicot as Lieutenant Jérôme Collet
- Jean-Yves Berteloot as Remy Jean
- Jean-Pierre Marielle as Jacques Saunière
- Charlotte Graham as Mary Magdalene
- Hugh Mitchell as young Silas
- Seth Gabel as Michael the Cleric
- Marie-Françoise Audollent as Sister Sandrine
- Francesco Carnelutti as Prefect
- Rita Davies as Elegant Woman at Rosslyn
- Denis Podalydès as Flight Controller
- Author Dan Brown and his wife make cameos (forefront) in the first scene of the book signing scene.
- The Templar Revelation authors Lynn Picknett and Clive Prince make a brief appearance as passengers on a bus.
Bill Paxton was director Ron Howard's first choice for the role of Robert Langdon, but had to decline as he was beginning filming for the television series Big Love.[4]
Production[edit]
Development[edit]
The film rights were purchased from Dan Brown for $6 million.[5]
Filming[edit]
Filming had been scheduled to start in May 2005; however, some delays caused filming to begin on June 30, 2005.[citation needed]
Location[edit]
The Louvre gave permission to film relevant scenes at their premises. A replica of the Mona Lisa was used during filming as the crew was not allowed to illuminate the original work with their lighting. During the on site filming at the Louvre the Mona Lisa's chamber was used as a storage room. Westminster Abbey denied the use of its premises, as did Saint-Sulpice. The Westminster Abbey scenes were instead filmed at Lincoln and Winchester cathedrals,[6] which both belong to the Church of England. (Westminster Abbey is a Royal Peculiar, a church or chapel under direct jurisdiction of the monarch; whereas Saint-Sulpice is a Roman Catholic institution.)
Due to the denial of a location permit for Saint-Sulpice,[7] the entire scene had to be recreated virtually by post-production company Rainmaker U.K. and though the set had been partially built, the co-ordinates were centimeters out from what the compositors had expected and so the entire process was extremely difficult to complete.[8]
Lincoln Cathedral reportedly received £100,000 in exchange for the right to film there, with filming there occurring between August 15 and 19, 2005, mainly within the cloisters of the cathedral. The cathedral's bell, which strikes the hour, was silent for the first time since World War II during that time. Although it remained a closed set, protesters led by a 61-year-old woman named Sister Mary Michael demonstrated against the filming. Sister Mary Michael spent 12 hours praying on her knees outside the cathedral in protest against what she saw as the blasphemous use of a holy place to film a book containing heresy.[9]
Winchester Cathedral answered criticism by using its location fee to fund an exhibition, lecture series and campaign to debunk the book.[10] The scenes for the Pope's summer residence, Castel Gandolfo were filmed on location at Belvoir Castle in Leicestershire, England.
Shoreham Airport in West Sussex, England, was used as a filming location, with its art-deco terminal building utilized in a night shoot for the scenes at 'Le Bourget' Airport.[11]
Filming also took place elsewhere in the United Kingdom.[12] Locations included King's College London campus; Fairfield Halls (Croydon); the Temple Church (London); Burghley House (Lincolnshire) and Rosslyn Chapel and Rosslyn Castle (Midlothian, Scotland) make an appearance at the final of the film.
Studio shoots[edit]
The filmmakers shot many of the internal scenes at Pinewood Studios;[13] the opening sequence in the cavernous 007 Stage at Pinewood Shepperton, where the interior of the Louvre was recreated.[14] In this sequence, Hanks' character is taken by French police to the Louvre, where a dead body has been discovered. David White of Altered States FX, a prosthetics and special makeup effects company, was tasked with creating a naked photorealistic silicone body for the scene. Lighting effects were utilized to obscure the body's genitalia, a technique also used on television programs such as NCIS.[15]
Pinewood's state-of-the-art Underwater Stage was used to film underwater sequences.[16] The stage opened in 2005 after four years of planning and development. The water in the tank is filtered using an ultraviolet system which creates crystal clear water, and the water is maintained at 30 °C (86 °F) to create a comfortable environment to work in for both cast and crew.[17]
Alternate versions of Bettany's nude flagellation scenes were shot, in which he wears a black loincloth. Clips of these versions appear in the History Channel's Opus Dei Unveiled documentary, aired in summer 2006.
Catholic and other reactions[edit]
The Vatican[edit]
At a conference on April 28, 2006, the secretary of the Congregation for the Doctrine of the Faith, a Vatican curial department, Archbishop Angelo Amato specifically called for a boycott of the film; he said the movie is 'full of calumnies, offences, and historical and theological errors'.[18]
Cardinal Francis Arinze, in a documentary called The Da Vinci Code: A Masterful Deception, urged unspecified legal action against the makers of the film. He was formerly Prefect of the Congregation for Divine Worship and the Discipline of the Sacraments in the Vatican.[19]
Opus Dei[edit]
Stating that it does not intend to organize any boycotts, Opus Dei (the Catholic organization that is featured prominently in the novel and the film) released a statement on February 14, 2006, asking Sony Pictures to consider editing the soon-to-be-released film so that it would not contain references that it felt might be hurtful to Catholics. The statement also said Brown's book offers a 'deformed'[20] image of the church and that Opus Dei will use the opportunity of the movie's release to educate about the church.
On Easter, April 16, 2006, Opus Dei published an open letter by the Japanese Information Office of Opus Dei mildly proposing that Sony Pictures consider including a disclaimer on the film adaptation as a 'sign of respect towards the figure of Jesus Christ, the history of the Church, and the religious beliefs of viewers'.[21] The organization also encouraged the studio to clearly label the movie as fictitious 'and that any resemblance to reality is pure coincidence'.[21]
According to a statement by Manuel Sánchez Hurtado, Opus Dei Press Office Rome,[22] in contrast to Sony Corporation's published 'Code of Conduct' the company has announced that the film will not include such a disclaimer.
American Catholic bishops[edit]
U.S. Catholic bishops launched a website, JesusDecoded.com, refuting the key claims in the novel that were about to be brought to the screen. The bishops are concerned about errors and serious misstatements in The Da Vinci Code.[23] The film has also been rated morally offensive—by the United States Conference of Catholic Bishops' Office for Film and Broadcasting, which denounced its depiction of both the Jesus-Mary Magdalene relationship and that of Opus Dei as 'deeply abhorrent'.[24]
Peru[edit]
The Peruvian Episcopal Conference (CEP) declared the movie—and the book—as part of a 'systematic attack on the Catholic Church'.[25] Furthermore, the Archbishop of Lima, the Cardinal and member of Opus Dei Juan Luis Cipriani, urged his community not to see the film: 'If someone goes (to see the movie), they are giving money to those who hurt the faith. It's not a problem of fiction; if truth is not respected, what arises we could call white glove terrorism.'[26]
NOAH[edit]
The National Organization for Albinism and Hypopigmentation (NOAH) expressed concern about Silas' character giving people with albinism a bad name.[27] However, the filmmakers did not change his appearance.
Censorship[edit]
The film was banned in a number of countries, including among others Syria,[28]Belarus,[29] and Lebanon.[30] In Jordan, authorities banned the film claiming it 'tarnishes the memory of Christian and Islamic figures and contradicts the truth as written in the Bible and the Quran about Jesus'.[31] In Iran, it was banned due to protests by Muslim and Christian minorities.[32]
China[edit]
Although The Da Vinci Code was passed by Chinese censors, it was abruptly removed by authorities from public view in mainland China, after 'a remarkable run in China, grossing over $13 million',[33] due to protests by Chinese Catholic groups.[34]
Egypt[edit]
Both the book and the film were banned in Egypt due to pressure from Coptic Christians. Some Muslims compared the film to the Danish cartoons that had caused a controversy earlier that year.[35] Hafez Abu Saeda, of the Egyptian Organization for Human Rights stated that 'This violates freedom of thought and belief … This is fiction. It's art and it should be regarded as art.'[36]
Faroe Islands[edit]
The biggest cinema in the Faroe Islands, Havnar Bio, decided to boycott the film, effectively blocking it from the other smaller cinemas, which rely on second-hand films from this source, because it seems to be blasphemous in their point of view. Its CEO, Jákup Eli Jacobsen, says that 'he fears losing the operating license if it exhibits blasphemy in the cinema'.[37]
A private initiative by the individual Herluf Sørensen has arranged the movie to be played, despite the boycott by Havnar Bio. The movie played at the Nordic House in the Faroe Islands from June 8 to 9, 2006.[38]
India[edit]
There was a huge outcry in many states by the Christian and the Muslim minorities to ban the film from screening in India for the perceived anti-Christian message. Possibly the largest reaction occurred in Kolkata where a group of around 25 protesters 'stormed' Crossword bookstore, pulled copies of the book off the racks and threw them to the ground. At the same day, a group of 50–60 protesters successfully made the Oxford Bookstore on Park Street decide to stop selling the book 'until the controversy sparked by the film's release was resolved'.[39]
The film was allowed to be released without any cuts but with an A (Adults Only) certification from the Central Board for Film Certification and a 15-second disclaimer added at the end stating that the movie was purely a work of fiction.[40] The Supreme Court of India also rejected petitions calling for a ban on the film, saying the plot which suggested Jesus was married was fictional and not offensive.[41]
The film has been totally banned in some states such as Punjab, Lakshadweep, Goa, Meghalaya, Nagaland, Mizoram, Jammu and Kashmir, Tamil Nadu and Andhra Pradesh.[42][43] The Andhra Pradesh High Court subsequently reversed the State Government's order banning the screening of the film in the state; the State Government had previously banned the film based on the objections lodged by Christians and Muslims.[44]
Pakistan[edit]
Pakistan banned The Da Vinci Code for showing what officials called blasphemous material about Jesus. Christian groups, along with the Muttahida Majlis-e-Amal held protests against the film calling for a global ban.[45]
Philippines[edit]
The Philippine Alliance Against Pornography (PAAP) appealed to then Philippine PresidentGloria Macapagal Arroyo to stop the showing of The Da Vinci Code in the Philippines. They branded the film as 'the most pornographic and blasphemous film in history'[46] and also requested the help of Pope Benedict XVI, the Catholic Bishops Conference of the Philippines (CBCP) and other religious groups to stop the showing of the film.[47]
However, Cecille Guidote Alvarez, Philippine Presidential Adviser on Culture and the Arts, said the Philippine government would not interfere in the controversy about the film and leaves the decision to the Movie and Television Review and Classification Board's (MTRCB) rating.[48] Eventually, MTRCB decided to give The Da Vinci Code an R-18 rating (restricted to those 18 years of age and above) despite PAAP's opposition to showing it.[49]
Samoa[edit]
The film was banned outright in the Independent State of Samoa after church leaders watching a pre-release showing filed a complaint with film censors.[50]
Solomon Islands[edit]
Solomon IslandsPrime MinisterManasseh Sogavare said he would seek to have the film banned in his country, as it might threaten the Solomons' predominantly Christian faith:
“ | We profess Christian religion in the country, and that film that depicts some thoughts about this person called Jesus Christ that Christians adore as not only as a good man, but was himself God, and such a film basically undermines the very roots of Christianity in Solomon Islands.[51] | ” |
Sri Lanka[edit]
Sri Lanka is also one of the countries that banned the film from being released.[52] It was banned by presidential order of Mahinda Rajapakse.Public Performances Board to ban the screening of the movie 'The Da Vinci Code' in local cinemas and on local television channels. Apparently the Catholic Bishops Conference made the appeal through an epistle. 'The decision to ban the film was taken on an appeal by the Catholic Bishops Conference in Sri Lanka.'[53]
Thailand[edit]
Christian groups in this mostly Buddhist country protested the film and called for it to be banned. On May 16, 2006, the Thai Censorship Committee issued a ruling that the film would be shown, but that the last 10 minutes would be cut. Also, some Thai subtitles were to be edited to change their meaning and passages from the Bible would also be quoted at the beginning and end of the film.
However, the following day, Sony Pictures appealed the ruling, saying it would pull the film if the decision to cut it was not reversed. The censorship panel then voted 6–5 that the film could be shown uncut, but that a disclaimer would precede and follow the film, saying it was a work of fiction.[54][55]
Cast response[edit]
Tom Hanks' response[edit]
Hanks told the Evening Standard that those involved with the film 'always knew there would be a segment of society that would not want this movie to be shown. But the story we tell is loaded with all sorts of hooey and fun kind of scavenger-hunt-type nonsense.'[56] He said it is a mistake 'to take any sort of movie at face value, particularly a huge-budget motion picture like this.'[56]
He also stated at the Cannes Film Festival that he and his wife saw no contradiction between their faith and the film, as 'My heritage, and that of my wife, suggests that our sins have been taken away, not our brains.'
Ian McKellen's response[edit]
Also at Cannes, McKellen was quoted as saying 'While I was reading the book I believed it entirely. Clever Dan Brown twisted my mind convincingly. But when I put it down I thought, 'What a load of [pause] potential codswallop.'[57]
During a May 17, 2006 interview on The Today Show with the Da Vinci Code cast and director, Matt Lauer posed a question to the group about how they would have felt if the film had borne a prominent disclaimer that it is a work of fiction, as some religious groups wanted. (Some high-ranking Vatican cabinet members had called for a boycott of the film.[58]) McKellen responded:
“ | I've often thought the Bible should have a disclaimer in the front saying 'This is fiction.' I mean, walking on water? It takes... an act of faith. And I have faith in this movie—not that it's true, not that it's factual, but that it's a jolly good story... And I think audiences are clever enough and bright enough to separate out fact and fiction, and discuss the thing when they've seen it.[59] | ” |
Reactions to the film[edit]
Cannes Film Festival[edit]
According to the Associated Press, during a preview for movie critics in Cannes, a line spoken by Tom Hanks 'drew prolonged laughter and some catcalls'. Nearing the end of the screening, 'there were a few whistles and hisses, and there was none of the scattered applause even bad movies sometimes receive at Cannes.'[60]
Protests[edit]
There have been protesters at several movie theaters across the United States on opening weekend protesting the themes of the film, citing it as blasphemy and claiming that it shames both the Catholic Church, and Jesus Christ himself. More than 200 protesters also turned out in Athens, Greece to protest the film's release shortly before opening day. In Manila, the film was banned from all theaters and the set by the local MTRCB as an R18 movie for the Philippines.[61] In Pittsburgh, protesters also showed up at a special screening of the film the day before its widespread release.[62] Protests also occurred at the filming sites, but only a monk and a nun stood in a quiet protest at the Cannes premiere.[57] In Chennai, India, the film was banned for a two-month period to appease local Christian and Muslim groups.[63]
Critical reception[edit]
The Da Vinci Code received a 25% approval rating on the film review aggregate website Rotten Tomatoes based on a sample of 224 reviews and an average rating of 4.7/10. The critics consensus states: 'What makes Dan Brown's novel a best seller is evidently not present in this dull and bloated movie adaptation of The Da Vinci Code.'[64] The film was poorly received at the Cannes Film Festival, where it debuted.[60]
Michael Medved gave the film a negative review, citing it as 'an attack on religion'.[65]Anthony Lane of The New Yorker addressed the concerns of Catholics in his film review, stating that the film 'is self-evident, spirit-lowering tripe that could not conceivably cause a single member of the flock to turn aside from the faith.'[66] In his Movie Guide, Leonard Maltin called the film 'a letdown in every respect.'[67] Director Howard noted that the overwhelmingly negative reviews were 'frustrating' to him.[68]
Conversely, Roger Ebert of the Chicago Sun-Times (who had spoken very negatively of the novel) gave the film three out of four stars, stating, 'The movie works; it's involving, intriguing and constantly seems on the edge of startling revelations.' Of the storyline, he also commented, 'Yes, the plot is absurd, but then most movie plots are absurd. That's what we pay to see.'[69] Lawrence Toppman of The Charlotte Observer, who also liked the film, gave it three and a half out of four stars and noted 'unlike most Hollywood blockbusters, this one assumes audience members will be smart.'[70]
Although many critics gave mixed to negative reviews of the film, critics praised the performances of McKellen as well as Bettany.[71]
On the 'Worst Movies of 2006' episode of the television show Ebert & Roeper (January 13, 2007), guest critic Michael Phillips (sitting in for the recovering Roger Ebert) listed the film at No. 2.[72] The film earned a Razzie Award nomination for Ron Howard as Worst Director, but lost to M. Night Shyamalan for Lady in the Water.
Box office response[edit]
Opening weekend[edit]
The film opened with an estimated $31 million in box office sales on its opening day, averaging $7,764 per screen.[73] During its opening weekend, moviegoers spent an estimated $77 million in America, and $224 million worldwide.[2]The Da Vinci Code is the best domestic opening for both Tom Hanks and Ron Howard.[74]
It also enjoyed the third biggest opening weekend for that year (after Pirates of the Caribbean: Dead Man's Chest and X-Men: The Last Stand, and the second biggest worldwide opening weekend ever, just behind 2005's Star Wars: Episode III – Revenge of the Sith.[75]) This has led some critics, particularly in the UK, to moot the idea of the 'critic-proof film'.[76]
Ranking and gross[edit]
- Number 1 film at the USA box office during its first week grossing more than $111 million.[77] Fifth-highest gross of 2006 in the USA, and grossed $758 million worldwide in 2006—the second-highest of 2006.[2] Its worldwide total made it the 51st-highest-grossing film, and the highest-grossing film in the franchise.[citation needed]
- On June 20, 2006, it became only the second film of the year to pass the $200 million mark in the USA.[78]
Accolades[edit]
Award | Category | Recipient(s) and nominee(s) | Result |
---|---|---|---|
64th Golden Globe Awards | Best Original Score | Hans Zimmer | Nominated |
12th Critics' Choice Awards | Best Composer | ||
49th Annual Grammy Awards | Best Score Soundtrack | ||
33rd People's Choice Awards | Favorite Movie Drama | The Da Vinci Code | |
27th Golden Raspberry Awards | Worst Director | Ron Howard | |
11th Satellite Awards | Best Original Score | Hans Zimmer | |
Best Visual Effects | Kevin Ahern | ||
Best Sound | Anthony J. Ciccolini III, Kevin O'Connell, and Greg P. Russell | ||
Best DVD Extras | The Da Vinci Code | ||
2006 Teen Choice Awards | Choice Movie: Villain | Ian McKellen |
Home media[edit]
The film was released on DVD on November 14, 2006 in three editions:
- A Target-exclusive three-disc release in both widescreen and fullscreen, along with a History Channel documentary.
- A two-disc release in both widescreen and fullscreen.[79]
- A 'special edition gift set' that includes a two-disc DVD set, working cryptex, and replica Robert Langdon journal.[80]
All DVD sets include an introduction from director Howard, ten featurettes, and other bonus features.
In Australia, New Zealand, Spain and Latin America (DVD region code 4), the two-disc set also included an extended edition of the film, including over twenty-five minutes of extra footage, bringing the running time to 174 minutes.[79]
In Hong Kong and Korea (Region 3), the extended cut was also released on DVD in a two-disc set. Two gift sets were also released, with working cryptex replica, replica journal, and more. The French and Spanish Region 2 disc also received a special gift set.[81]
On April 28, 2009, a two-disc Blu-ray edition of the extended version of the film was released in North America. While there is no regular DVD release of the extended version in the United States or a Region 2 release in the United Kingdom, a version of the extended cut was released in Germany.
The Da Vinci Code was also released on UMD for the Sony PlayStation Portable (PSP) on the November 14, 2006.
Sequels[edit]
Angels & Demons[edit]
Screenwriter Akiva Goldsman, with the help of Jurassic Park screenwriter David Koepp, adapted Angels & Demons (a Dan Brown novel published before The Da Vinci Code) into a film script,[82] which was also directed by Howard. Chronologically, the book takes place before The Da Vinci Code. However, the filmmakers re-tooled it as a sequel. Hanks reprises his role as Langdon in the film, which was released in May 2009 to moderate (but generally better) reviews.
Inferno[edit]
Sony Pictures produced a film adaptation of Inferno, the fourth book in the Robert Langdon series, which was released in October 2016[83] with Ron Howard as director, David Koepp adapting the screenplay and Tom Hanks reprising his role as Robert Langdon.[84] Filming began on April 27, 2015, in Venice, Italy, and wrapped up on July 21, 2015.[85] On December 2, 2014, Felicity Jones was in early talks to star in the film.[86] Bollywood actor Irrfan Khan was cast as The Provost.[87] Danish actress Sidse Babett Knudsen was added to the cast as Elizabeth Sinskey.[88]
See also[edit]
- The Da Vinci Treasure – A mockbuster produced by The Asylum
- National Treasure - film about the Knights Templar Treasure
References[edit]
- ^'THE DA VINCI CODE (12A)'. British Board of Film Classification. May 2, 2006. Retrieved January 12, 2016.
- ^ abcd'The Da Vinci Code (2006)'. Box Office Mojo. Retrieved December 16, 2006.
- ^'Dan Brown » The Da Vinci Code'. www.danbrown.com. Retrieved April 22, 2016.
- ^Twister, Titanic, Apollo 13, and Aliens star Bill Paxton dies
- ^'Ask Men'.
- ^'Film locations in South East England'. Archived from the original on October 1, 2012.
- ^Michael Haag & Veronica Haag, with James McConnachie, The Rough Guide to The Da Vinci Code: An Unauthorised Guide to the Book and Movie (Rough Guides Ltd; 2006)
- ^Robertson, Barbara (May 19, 2006). 'The Da Rainmaker Code'. cgsociety.org. The CG Society. Retrieved March 1, 2013.
- ^Gledhill, Ruth (August 16, 2005). 'Nun protests over cathedral filming of Da Vinci Code'. The Times. London, England. Retrieved March 1, 2013.
- ^Guardian Unlimited: Location fee funds Da Vinci Code rebuttal
- ^'Secret Da Vinci Code airport set revealed', The Argus, 2006-01-09. Retrieved on 2009-05-19.
- ^The Da Vinci Code UK Filming locations
- ^Gordon Brown Opens Underwater Stage at Pinewood Studios, May 19, 2005
- ^WHAS11news: Fire chars British set of new Bond movie, Katie Fretland, July 30, 2006
- ^American Cinematographer: Secret History
- ^'Gordon Brown Opens Underwater Stage at Pinewood Studios,' May 19, 2005, webpage: PinewoodShepperton-Stage
- ^Pinewood Studios – Underwater Stage Pinewood Studios – Water FilmingArchived September 16, 2007, at the Wayback Machine
- ^'Reaffirm the Resurrection, Pope urges faithful'. Catholic World News. May 1, 2006.
- ^Wilkinson, Tracy (May 17, 2006). 'Vatican Officials Grappling With `Da Vinci Code''. Los Angeles Times.
- ^'Group urges disclaimer on 'Da Vinci Code' film'. Hürriyet Daily News. April 17, 2006. Archived from the original on August 18, 2016.
- ^ ab'Opus Dei demands Da Vinci Code disclaimer'. the Guardian. April 18, 2006.
- ^Sánchez Hurtado, Manuel (May 17, 2006). 'The Other Code'. ROM: Opus Dei Press Office.
- ^Jesus Decoded' Web site launched to counter 'Da Vinci Code' claimsArchived June 1, 2012, at the Wayback Machine
- ^Patterson, John (April 21, 2007). 'Down with this sort of thing'. the Guardian.
- ^RPP Noticias – 'Código da Vinci' presenta grandes falsedades, afirman obispos del Perú
- ^Cardenal Cipriani pide a fieles abstenerse de ver 'El Código Da Vinci'
- ^'Albino group to protest Tom Hanks' 'The Da Vinci Code' film'. UPI/Reality TV World. March 19, 2006
- ^http://www.tomgrossmedia.com/mideastdispatches/archives/000725.html.
- ^http://iqna.ir/fr/news/1478889/le-film-da-vinci-code-interdit-au-bélarus
- ^'Da Vinci' unlikely to pass Egypt censors TribLIVE
- ^Egypt bans 'The Da Vinci Code'
- ^https://mobile.nytimes.com/2006/07/26/books/27davinci.html
- ^'China dumps 'Da Vinci Code''. CNN. June 8, 2006. Retrieved May 25, 2010.
- ^Kahn, Joseph. 'China Cancels 'Da Vinci' Movie'. The New York Times.
- ^Coptic pressure bans 'Da Vinci Code' in Egypt
- ^Egypt: Da Vinci Code based on Zionist myths
- ^'Faereysk kvikmyndahus snidganga Da Vinci lykilinn'. mbl.is. May 12, 2006.
- ^'Norðurlandahúsið'. Upcoming.org.
- ^'Novel earns vandal wrath - Code controversy deepens with warning from protesters'. The Telegraph. May 18, 2006.
- ^'India censors clear Da Vinci Code'. BBC. May 18, 2006.
- ^'India's Supreme Court rejects pleas to ban 'Da Vinci Code'
- ^Sony Pictures statement on `Da Vinci Code` – Sify.com
- ^''The Da Vinci Code' banned in State'. The Hindu. Chennai, India. June 2, 2006.
- ^'High Court quashes A.P. ban on film '. The Hindu. Chennai, India. June 22, 2006.
- ^'Pakistan bans Da Vinci Code film'. BBC News Online. June 4, 2006.
- ^Araneta, Sandy (April 19, 2006). 'Anti-pornography group asks GMA to ban 'The Da Vinci Code''. philstar.com.
- ^'Anti-pornography group asked GMA to Ban 'The Da Vinci Code''. Philippine Headline News. Philippines. April 19, 2006. Archived from the original on April 21, 2006.
- ^'Palace sidesteps 'Da Vinci' storm'. The Manila Times. Philippines. April 19, 2006. Archived from the original on May 15, 2006.
- ^''Da Vinci Code' for adults only, says film review body'. Philippines: inq7.net. May 17, 2006.
- ^Johnston, Martin. 'Samoa bans Da Vinci Code'. The New Zealand Herald.
- ^'SOLOMON ISLANDS TO BAN 'THE DA VINCI CODE'Archived May 10, 2009, at the Wayback Machine, Solomon Islands Broadcasting Corporation, May 26, 2006
- ^SRI LANKA: Presidential ban of the Da Vinci Code film is an act of dictatorship without any basis in law — Asian Human Rights Commission
- ^Asian Human Rights Commission Retrieved 2011-03-14.
- ^'The Da Vinci Code' can be shown uncut
- ^IHT ThaiDay – Manager Online
- ^ abTom Teodorczuk and Mike Goodridge (November 5, 2006). 'Hanks blasts Da Vinci critics'. Evening Standard. Archived from the original on February 5, 2010. Retrieved March 7, 2010.
- ^ abCharlotte Higgins (May 18, 2006). 'Fans out in force for Da Vinci premiere – but even kinder reviews are scathing'. The Guardian. London. Retrieved March 7, 2010.
- ^Pullella, Philip (April 28, 2006). 'Boycott Da Vinci Code film'. Reuters. Archived from the original on May 5, 2006. Retrieved May 20, 2006.
- ^Crawley, William (May 20, 2006). 'A Da Vinci Disclaimer'. BBC.
- ^ ab'Da Vinci Code' misses mark for Cannes critics. msnbc.com. Associated Press. May 17, 2006.
- ^'Hundreds of Greek Orthodox march to protest Da Vinci Code movie'. Athens: Deutsche Presse-Agentur. May 16, 2006. Archived from the original on September 6, 2006.
- ^'Locals Protest 'Da Vinci Code' Movie'. KDKA News. Pittsburgh. May 19, 2006. Archived from the original on December 1, 2007.
- ^'The Hindu News Update Service'. Chennai, India. Archived from the original on October 12, 2007.
- ^'The Da Vinci Code (2006) - Rotten Tomatoes'. Rotten Tomatoes. Fandango. Retrieved February 11, 2019.
- ^MSNBC: The Situation With Tucker Carlson: May 17.
- ^Anthony Lane, Heaven Can Wait: 'The Da Vinci Code.', The New Yorker, May 29, 2006
- ^Maltin, Leonard. Leonard Maltin's 2008 Movie Guide. New American Library. p. 319.
- ^Movie critics frustrate 'Da Vinci's' Howard - Da Vinci Code - MSNBC.com
- ^Blog, Chaz's (May 18, 2006). 'The Da Vinci Code'. Chicago Sun-Times.
- ^Movie: The Da Vinci Code[permanent dead link]
- ^The Da Vinci Code Movie Review – MoviesOnline.ca
- ^'Worst Movies of 2006!!!'. DVDizzy.com.
- ^''Da Vinci Code' opens with estimated $29 million'. CNN. May 20, 2006. Archived from the original on May 28, 2006.
- ^'Da Vinci Code' a hot ticket'. CNN.
- ^'At $77 Million, It's Code Green For 'Da Vinci'
- ^Lawson, Mark (May 24, 2006). 'Who cares what the reviews say?'. The Guardian. London. Retrieved May 25, 2010.
- ^'The Da Vinci Code (2006)'. Box Office Mojo. Retrieved December 16, 2006.
- ^The Da Vinci Code (2006)
- ^ abASINB00005JOC9, The Da Vinci Code (Widescreen Two-Disc Special Edition) (2006)
- ^ASINB000I2KJR4
- ^ASINB000I2J2WC, The Da Vinci Code (Full Screen Two-Disc Special Edition) (2006)
- ^ComingSoon.net: Akiva Goldsman Back for Angels & Demons
- ^Gregg Kilday. 'Tom Hanks' 'Inferno' Shifts Opening to 2016'. The Hollywood Reporter.
- ^'Tom Hanks And Ron Howard To Return For Next Dan Brown Movie 'Inferno'; Sony Sets December 2015 Release Date'. Deadline Hollywood. July 16, 2013. Retrieved July 16, 2013.
- ^'Sony Pictures Locks Tom Hanks, Ron Howard For April 'Inferno' Start'. Deadline Hollywood. August 26, 2014. Retrieved August 26, 2014.
- ^'Felicity Jones In Early Talks To Join 'Inferno' With Tom Hanks'. Deadline Hollywood. December 6, 2014. Retrieved December 2, 2014.
- ^Singh, Prashant (February 15, 2015). 'Irrfan Khan to work with Tom Hanks in Inferno'. Hindustan Times. New Delhi. Retrieved August 15, 2016.
- ^Patrick Hipes. ''Inferno' Movie Adds Omar Sy & More As Cast Goes Global - Deadline'. Deadline Hollywood. Retrieved April 23, 2016.
Sources[edit]
The following are reference sources, repeated in alphabetic order:
- Larry Carroll: 'Ian McKellen Sticks Up For Evil In Da Vinci Code, X-Men' [6], MTV News, May 15, 2006.
- Catholic World News, 'Reaffirm the Resurrection, Pope urges faithful,' Catholic World News, May 1, 2006.
- CNN, 'Da Vinci Code' a hot ticket,' CNN, May 21, 2006 (webpage expired).
- CNN, 'Da Vinci Code' opens with estimated $29 million,' CNN, May 20, 2006 (webpage expired).
- DPA, 'Hundreds of Greek Orthodox march to protest Da Vinci Code movie,' Deutsche Presse-Agentur, May 16, 2006.
- Fretland, Katie, 'Fire chars British set of new Bond movie' July 30, 2006, webpage: WHAS11-DVC: Louvre interior set filmed at Pinewood.
- Sánchez Hurtado, Manuel, The Other Code, Opus Dei Press Office, May 17, 2006.
- KDKA News, 'Locals Protest 'Da Vinci Code' Movie,' KDKA News, May 19, 2006.
- Leonardo da Vinci, Mona Lisa (La Gioconda) painting, 1503–1507, in Louvre Museum.
- Pinewood Shepperton studios, 'Gordon Brown Opens Underwater Stage at Pinewood Studios,' May 19, 2006, webpage: PinewoodShep-Stage.
- Philip Pullella, 'Boycott Da Vinci Code film,' Reuters, April 28, 2006, web: ScotsmanVatDVC. Retrieved August 22, 2006.
- Us Weekly, 'Ian McKellen Unable to Suspend Disbelief While Reading the Bible,' US Weekly, May 17, 2006: (has Video clip).
External links[edit]
Wikimedia Commons has media related to The Da Vinci Code. |
Wikiquote has quotations related to: The Da Vinci Code (film) |
- The Da Vinci Code on IMDb
- The Da Vinci Code at AllMovie
- The Da Vinci Code at Rotten Tomatoes
- The Da Vinci Code at Box Office Mojo
- The Da Vinci Code at Metacritic
- The Da Vinci Code at the TCM Movie Database
- The Da Vinci Code at the American Film Institute Catalog
Directed by
Ron Howard |
Writing Credits(WGA)
Akiva Goldsman | ... | (screenplay) |
Dan Brown | ... | (novel) |
Cast (in credits order) verified as complete
Tom Hanks | ... | Robert Langdon | |
Audrey Tautou | ... | Sophie Neveu | |
Ian McKellen | ... | Sir Leigh Teabing | |
Jean Reno | ... | Captain Bezu Fache | |
Paul Bettany | ... | Silas | |
Alfred Molina | ... | Bishop Manuel Aringarosa | |
Jürgen Prochnow | ... | Andre Vernet | |
Jean-Yves Berteloot | ... | Remy Jean | |
Etienne Chicot | ... | Lt. Collet | |
Jean-Pierre Marielle | ... | Jacques Saunière | |
Marie-Françoise Audollent | ... | Sister Sandrine | |
Rita Davies | ... | Elegant Woman at Rosslyn | |
Francesco Carnelutti | ... | Prefect | |
Seth Gabel | ... | Michael | |
Shane Zaza | ... | Youth on Bus | |
Andy Clark | ... | Docent (as Andrew Clark) | |
Fausto Maria Sciarappa | ... | Youngest Church Official | |
Joe Grossi | ... | Old Church Official | |
Denis Podalydès | ... | Flight Controller (as Denis Podalydes) | |
Harry Taylor | ... | British Police Captain | |
Clive Carter | ... | Biggin Hill Police Captain | |
Garance Mazureck | ... | Sophie at 13 Years | |
Daisy Doidge-Hill | ... | Sophie at 8 Years | |
Lilli Ella Kelleher | ... | Sophie at 3 Years (as Lilli-Ella Kelleher) | |
Crisian Emanuel | ... | Sophie's Mother | |
Charlotte Graham | ... | Mary Magdalene | |
Xavier de Guillebon | ... | Junkie | |
Tonio Descanvelle | ... | Bank Guard | |
David Bark-Jones | ... | Hawker Pilot | |
Seretta Wilson | ... | American Woman (as Serretta Wilson) | |
Eglantine Rembauville-Nicolle | ... | Student (as Eglantine Rembauville) | |
Dan Tondowski | ... | Student | |
Aewia Huillet | ... | Student | |
Roland John-Leopoldie | ... | Student | |
David Saracino | ... | DCPJ Agent | |
Lionel Guy-Bremond | ... | Officer Ledoux | |
Yves Aubert | ... | Louvre Computer Cop | |
Rachael Black | ... | Policewoman | |
Dez Drummond | ... | London Police | |
Mark Roper | ... | London Police | |
Brock Little | ... | American Embassy Cop | |
Matthew Butler-Hart | ... | Westminster Cop (as Matthew Butler) | |
Roland Menou | ... | DCPJ Technician | |
Hugh Mitchell | ... | Young Silas | |
Tina Maskell | ... | Silas' Mother | |
Peter Pedrero | ... | Silas' Father | |
Sam Mancuso | ... | Pope | |
Andre Lillis | ... | Pope | |
Mario Vernazza | ... | Young Constantine | |
Agathe Natanson | ... | Ritual Priestess | |
Daz Parker | ... | Peasant Mother | |
Andy Robb | ... | Peasant Father | |
Tom Barker | ... | Peasant Boy | |
Maggie McEwan | ... | Peasant Girl | |
Michael Bertenshaw | ... | Priest | |
Sarah Wildor | ... | Priestess | |
David Bertrand | ... | French Newscaster | |
Rest of cast listed alphabetically: | |||
Paul Adams | ... | Grail Knight (uncredited) | |
Lasco Atkins | ... | Museum Guard (uncredited) | |
Didier Dell Benjamin | ... | Student (uncredited) | |
Stefana Brancastle | ... | Muse of Hades (uncredited) | |
Liliane Briand | ... | Driver (uncredited) | |
Dan Brown | ... | Book signing party guest (uncredited) | |
Steven J. Bull | ... | Student (uncredited) | |
Anna Cachia | ... | Wedding Guest (uncredited) | |
Paul Casson-Yardley | ... | Pedestrian (uncredited) | |
Rene Costa | ... | Man in a Black Suit on Bus (uncredited) | |
Scott Davidson | ... | French Detective (uncredited) | |
Laine Edwards | ... | French Prostitute (uncredited) | |
Christopher Fosh | ... | Armed Responce Police Officer (uncredited) | |
Sean Francis George | ... | Scribe (uncredited) | |
Kas Graham | ... | Crusader (uncredited) | |
Paul Hann | ... | Policeman (uncredited) | |
Martin Heathcote | ... | Arresting Police Officer (uncredited) | |
Paul Herbert | ... | Sophie's Father (uncredited) | |
Helen Holman | ... | Roman Aristocrat (uncredited) | |
Cheryl Howard | ... | Person at Book-Signing Lecture (uncredited) | |
Arnaud Klein | ... | French Police Officer (uncredited) | |
Dhafer L'Abidine | ... | PTS Agent (uncredited) | |
Simon Lockwood | ... | Drug Addict (uncredited) | |
Mirah Lucas | ... | Student (uncredited) | |
Rob McGillivray | ... | Grail Knight (uncredited) | |
Arnold Montey | ... | Armed Responce Police Officer (uncredited) | |
Andy Orr | ... | Vatican Guard / Pagan (uncredited) | |
Drew P. | ... | Roman Centurion Pagan Warrior American Student (uncredited) | |
Lynn Picknett | ... | Bus Passenger (uncredited) | |
Clive Prince | ... | Bus Passenger (uncredited) | |
Norman Campbell Rees | ... | Passerby (uncredited) | |
Charlie Rose | ... | Book signing party guest (uncredited) | |
Paul Sacks | ... | Uniform Police Officer Outside Cathedral (uncredited) | |
Robert Stone | ... | Priory Of Sion (uncredited) | |
Brian Teles | ... | Forensic Technician (uncredited) | |
Adam Ross Thompson | ... | Harvard Student (uncredited) | |
Darren Travers | ... | Crusader (uncredited) | |
Chris Wilson | ... | Newton Funeral Guest (uncredited) |
Produced by
Dan Brown | ... | executive producer |
John Calley | ... | producer |
Brian Grazer | ... | producer |
Todd Hallowell | ... | executive producer |
Ron Howard | ... | producer |
Kathleen McGill | ... | associate producer |
Louisa Velis | ... | associate producer |
Music by
Hans Zimmer |
Cinematography by
Salvatore Totino | ... | director of photography |
Film Editing by
Daniel P. Hanley | ... | (as Dan Hanley) |
Mike Hill |
Casting By
Janet Hirshenson |
Jane Jenkins |
Production Design by
Allan Cameron |
Art Direction by
Giles Masters |
Tony Reading |
Set Decoration by
Richard Roberts |
Costume Design by
Daniel Orlandi |
Makeup Department
Barry Best | ... | special makeup effects mould maker |
Christophe Danchaud | ... | makeup artist: Ms. Tautou |
Paul Gooch | ... | hair stylist / makeup artist |
Frances Hannon | ... | hair designer / makeup designer |
Charlotte Hayward | ... | hair trainee / makeup trainee |
Patrice Iva | ... | hairdresser: Mr. Reno |
Carmel Jackson | ... | makeup artist: Mr. Reno |
Veronica McAleer | ... | hair stylist: Mr. Bettany (as Veronica Brebner) / makeup artist: Mr. Bettany (as Veronica Brebner) |
Emanuel Millar | ... | hairdresser: Tom Hanks |
Paul Mooney | ... | hairdresser: Ms. Tautou |
Belinda Parish | ... | hair stylist / makeup artist |
José Martin Romero | ... | hair stylist: France |
Daniel C. Striepeke | ... | makeup artist: Mr. Hanks |
Norma Webb | ... | hair stylist / makeup artist |
Francesco Alberico | ... | hair stylist (uncredited) |
Shaune Harrison | ... | special makeup effects artist (uncredited) |
Shaunna Harrison | ... | makeup artist (uncredited) |
Giacomo Iovino | ... | life casting consultant (uncredited) |
Uxue Laguardia | ... | makeup artist (uncredited) |
Roisin O'Reilly | ... | dailies makeup artist (uncredited) |
Rossana Parker | ... | makeup artist (uncredited) |
Clare Ramsey | ... | makeup effects lab technician (uncredited) |
Gemma Richards | ... | additional hair and make-up (uncredited) |
José Romero | ... | hair stylist (uncredited) |
Josh Weston | ... | special makeup effects artist (uncredited) |
David White | ... | special makeup effects designer (uncredited) |
Production Management
Jean-Pierre Avice | ... | unit production manager: France |
Annie Baudlet | ... | production supervisor: France |
Sam Breckman | ... | production manager: Malta |
Nigel Gostelow | ... | unit production manager |
Steve Harvey | ... | unit manager |
Joseph Jayawardena | ... | unit manager |
Kathleen McGill | ... | unit production manager |
Gavin Milligan | ... | unit manager: second unit, UK |
Suzie F. Wiesmann | ... | production supervisor (as Suzie Wiesmann) |
Laure de Butler | ... | assistant production manager (uncredited) |
Elisa Touraine | ... | assistant location manager (uncredited) |
Matthieu Vogel | ... | assistant unit manager (uncredited) |
Second Unit Director or Assistant Director
Tom Brewster | ... | third assistant director: model unit |
Laurent Brégeat | ... | first assistant director: second unit, France |
Lyndsay Bullock | ... | second assistant director: second unit, UK |
Jane Burgess | ... | third assistant director: second unit, UK |
Jamie Christopher | ... | first assistant director: second unit, UK |
William M. Connor | ... | first assistant director |
Yann Cuinet | ... | second assistant director: second unit, France |
Ben Dixon | ... | second assistant director |
Robert Grayson | ... | second assistant director: model unit |
Todd Hallowell | ... | second unit director |
Sallie Hard | ... | first assistant director: model unit |
Toby Hefferman | ... | second assistant director |
Marie Lacey | ... | third assistant director |
Bryn Lawrence | ... | third assistant director |
Carol Lecacheur | ... | third assistant director: France |
Terence Madden | ... | third assistant director (as Terence Madden Jr.) |
Jane Ryan | ... | third assistant director: second unit, UK |
Pascal Salafa | ... | first assistant director: France |
Matthew Sharp | ... | second assistant director: second unit, UK & France |
Olivier Vergès | ... | second assistant director: France |
Franck Allera | ... | trainee assistant director (uncredited) |
Virginie Audouard | ... | trainee assistant director (uncredited) |
Paul Bennett | ... | additional third assistant director: second unit (uncredited) |
Virginie Bernard | ... | trainee assistant director (uncredited) |
Laurent Blu | ... | trainee assistant director (uncredited) |
Julian Brehier | ... | third assistant director (uncredited) |
Sylvain Bressollette | ... | trainee assistant director (uncredited) |
Matthieu Charter | ... | third assistant director (uncredited) |
Nicolas Coatantiée | ... | trainee assistant director (uncredited) |
Sonia Delhaye | ... | trainee assistant director (uncredited) |
Morgan Develay | ... | third assistant director (uncredited) |
Yannick Fauchier | ... | second second assistant director (uncredited) |
Florence Gatineau-Saillant | ... | third assistant director (uncredited) |
Fanny Goineau | ... | trainee assistant director (uncredited) |
Emmanuel Gomes de Araujo | ... | third assistant director (uncredited) |
Claire Guillabert | ... | trainee assistant director: France (uncredited) |
Elisabeth Guthmann | ... | third assistant director (uncredited) |
Amélie Guyot | ... | trainee assistant director (uncredited) |
Emily Hobbs | ... | daily crowd assistant director (uncredited) |
Olivier Klein | ... | production assistant (uncredited) |
Marie Levent | ... | trainee assistant director (uncredited) |
Johann Lorillon | ... | trainee assistant director: France (uncredited) |
Sébastien Marziniak | ... | additional assistant director: Paris (uncredited) |
Arnaud Mathey-Dreyfus | ... | third assistant director: second unit Paris (uncredited) |
Alexandra Maugrion | ... | assistant director (uncredited) |
Maryam Muradian | ... | trainee assistant director (uncredited) |
Jean-Marie Omont | ... | directing team assistant (uncredited) |
Christophe Perie | ... | third assistant director: extras (uncredited) |
Jeremy Pronier | ... | assistant director: trainee (uncredited) |
Jérôme Rafalowicz | ... | trainee assistant director (uncredited) |
Marie Rolindes | ... | third assistant director: second unit, Paris (uncredited) |
Celine Rossi | ... | trainee assistant director (uncredited) |
Lilas Saadat | ... | trainee assistant director: France (uncredited) |
Paul Sacks | ... | third assistant director: additional crew (uncredited) |
Bettina Sanchez | ... | trainee assistant director: France (uncredited) |
Hans Titze | ... | assistant director: Paris (uncredited) |
Matthieu Vogel | ... | key crowd pa (uncredited) |
Art Department
Douglas Allam | ... | supervising plasterer |
Louis Alley | ... | stand-by plasterer |
Martin Asbury | ... | storyboard artist |
David Balfour | ... | property master |
Rob Ballantyne | ... | storyboard artist |
Ray Barrett | ... | construction manager |
Alex Cameron | ... | assistant art director |
Rob Cameron | ... | assistant set decorator (as Robert Cameron) |
Anthony Challenor | ... | stand-by carpenter |
Temple Clark | ... | storyboard artist |
Benoît Clémenceau | ... | leadperson buyer: France (as Benoit Clemenceau) |
Jean-Michel Ducourty | ... | art director: France |
Jack Dyer | ... | construction buyer |
Trevor Dyer | ... | hod carpenter |
Peter Edge | ... | stand-by painter |
James Gemmill | ... | head scenic artist |
Christopher Glass | ... | storyboard artist |
Jacky Hardouin | ... | construction manager: France |
Kevin Harris | ... | assistant construction manager |
Robert Hill | ... | supervising set dresser |
Patricia Johnson | ... | assistant art director (as Patsy Johnson) |
Kenneth Langridge | ... | hod stagehand |
Mary Mackenzie | ... | graphic artist |
David Meeking | ... | hod painter |
Geoff Newton | ... | hod carpenter: model unit |
John O'Shaughnessy | ... | production buyer |
Russell Oxley | ... | scenic artist |
Alan Payne | ... | graphic artist |
Marc Pinquier | ... | property master: France (as Mark Pinquier) |
Michel Romestaing | ... | picture car prop master: France |
Mel Sansom | ... | hod rigger (as Melvyn Sansom) |
Anna Skrein | ... | art department coordinator |
Martin Smeaton | ... | head of department sculptor |
Jim Stanes | ... | graphic artist |
Paul Tappin | ... | hod plasterer |
Michael Weaver | ... | Painter |
John Webster | ... | hod carpenter: model unit |
John Wells | ... | locations property master |
Gill Andrae-Reid | ... | portrait artist (uncredited) |
Martin Campbell | ... | props (uncredited) |
Tristan Carlisle-Kitz | ... | dressing props (uncredited) |
Mick Chubbock | ... | plasterer (uncredited) |
Marlon Cole | ... | props storeman (uncredited) |
Keith Connolly | ... | painter (uncredited) |
Paul Couch | ... | stand-by painter (uncredited) |
Gary Dawson | ... | stand-by props (uncredited) |
Nicolas Decaux | ... | carpenter (uncredited) |
Andrew Dyer | ... | stagehand (uncredited) |
Darren Fitzsimons | ... | sculptor (uncredited) |
Jack Garwood | ... | stand-by prop: second unit (uncredited) |
Bruce Gordon | ... | sculptor (uncredited) |
Jonathan Holbert | ... | painter (uncredited) |
Robert Jackson | ... | carpenter (uncredited) |
Scott Keery | ... | props (uncredited) |
Andrew Laybats | ... | painter (uncredited) |
Anne Le van ra | ... | art department coordinator (uncredited) |
Duncan McDevitt | ... | head modeler (uncredited) |
Stephen McGregor | ... | chargehand carpenter (uncredited) |
Jonathan Moore | ... | sculptor (uncredited) |
Colin Mutch | ... | stand-by prop (uncredited) |
Kelly Neary | ... | property coordinator (uncredited) |
Scott Orr | ... | sculptor (uncredited) |
Michael Panevics | ... | stand-by props (uncredited) |
Francis Poirier | ... | sculptor (uncredited) |
Stéphane Richaud | ... | carpenter (uncredited) |
Annushka Russell | ... | art department assistant (uncredited) |
Bradley Torbett | ... | supervising stand-by propman (uncredited) |
Jason Torbett | ... | stand-by property master (uncredited) |
Lloyd Vincent | ... | props (uncredited) |
William Wells | ... | dressing props (uncredited) |
John Whitby | ... | carpenter (uncredited) |
Jackson Pearce White | ... | property trainee (uncredited) |
Ian Whiteford | ... | greensman (uncredited) |
Dorrie Young | ... | set decorating assistant (uncredited) |
Sound Department
Christian Bourne | ... | boom operator: second unit, UK |
Michael Broomberg | ... | foley artist |
Stephanie Brown | ... | assistant sound editor |
Anthony J. Ciccolini III | ... | supervising sound editor (as Chic Ciccolini III) |
Gloria D'Alessandro | ... | dialogue editor |
Valerie Davidson | ... | foley editor |
Teri E. Dorman | ... | dialogue editor |
Rickley W. Dumm | ... | sound effects editor |
Donald Flick | ... | sound effects editor |
Linda Folk | ... | adr editor |
Peter Gleaves | ... | adr mixer |
Laura Graham | ... | adr editor |
Gary A. Hecker | ... | foley artist |
Neil Kingsbury | ... | production mixer: second unit, UK |
Howard London | ... | adr mixer |
Rupert Nadeau | ... | assistant sound editor |
Kevin O'Connell | ... | supervising sound mixer |
Barry O'Sullivan | ... | boom operator |
Angela Organ | ... | assistant adr editor |
Daniel Pagan | ... | sound designer |
Magdalena Questa | ... | Latin American Spanish Dubbing and Mixing Supervising |
Brian Ruberg | ... | foley mixer |
Greg P. Russell | ... | supervising sound mixer |
Lynn Sable | ... | assistant sound editor |
Solange S. Schwalbe | ... | foley supervisor |
Dan Sharp | ... | sound re-recordist |
Ivan Sharrock | ... | production mixer |
Karen Spangenberg | ... | dialogue editor |
Greg ten Bosch | ... | foley editor |
Jean Umansky | ... | sound mixer: second unit, France |
Deborah Wallach | ... | supervising adr editor |
Olivier Burgaud | ... | second assistant sound: Paris (uncredited) |
Alessandro Checcacci | ... | re-recording mixer: italian dubbing (uncredited) |
Larry Hopkins | ... | layback sound mixer (uncredited) |
Gareth John | ... | second assistant sound (uncredited) |
Sreejesh | ... | version re-recording mixer (uncredited) |
Special Effects by
Adam Aldridge | ... | special effects technician |
Alistair Bell | ... | special effects technician: model unit (as Alastair Bell) |
Paul Dimmer | ... | senior special effects technician |
Peter Fern | ... | senior special effects technician |
David Ford | ... | special effects supervisor |
Garth Gutteridge | ... | special effects technician |
Dan Homewood | ... | special effects technician (as Daniel Homewood) |
Philippe Hubin | ... | special effects supervisor: France |
John Morris | ... | senior special effects technician |
Luke Murphy | ... | special effects animatronic designer |
Martin Neill | ... | special effects supervisor: second unit, UK (as Martin Neil) |
Mark Phillips | ... | special effects animatronic designer |
Robert Thompson | ... | senior special effects technician |
Dominic Tuohy | ... | special effects supervisor |
Matthew G. Armstrong | ... | special effects assistant (uncredited) |
Jonathan Barrass | ... | special effects technician (uncredited) |
Shyal Beardsley | ... | research & development (uncredited) |
Kenneth Cassar | ... | special effects coordinator (uncredited) |
Paula Eden | ... | propmaker (uncredited) |
Stephen Hutchinson | ... | special effects senior technician (uncredited) |
Thomas Jones | ... | special effects moldmaker (uncredited) |
Nick Joscylene | ... | special effects technician (uncredited) |
Jess Lewington | ... | special effects buyer (uncredited) / special effects coordinator (uncredited) |
Jem Lovett | ... | special effects workshop supervisor (uncredited) |
Jean-Christophe Magnaud | ... | special effects coordinator (uncredited) |
Noah Meddings | ... | special effects technician (uncredited) |
Stephen Murphy | ... | prosthetics sculptor (uncredited) |
Sebastian Sue | ... | special effects technician (uncredited) |
Phoebe Tait | ... | special effects assistant (uncredited) |
Kevin Wescott | ... | special effects assistant (uncredited) |
Visual Effects by
Kevin Ahern | ... | visual effects editor |
Glenn Allen | ... | visual effects producer: Brainstorm Digital |
Craig Allison | ... | I/O systems & network: The Senate VFX |
Chris Armsden | ... | rendering technical director: MPC |
Oliver Atherton | ... | digital artist: Double Negative |
Bob Ballan | ... | senior model maker: MMAD |
Sarah Barker | ... | editorial: Double Negative |
Judy Barr | ... | digital artist: Double Negative |
Michael Bell | ... | digital artist: Double Negative |
John Benn | ... | line-up: Cinesite |
Stephen Bennett | ... | digital artist: Double Negative (as Stephen Bennet) |
James Benson | ... | lead artist: Double Negative |
Jordan Benwick | ... | compositor: Rainmaker UK |
Angus Bickerton | ... | visual effects supervisor |
Vlad Bina | ... | digital set designer: The Senate VFX |
Virginie Bourdin | ... | concept artist: MPC |
Dameon Boyle | ... | digital artist: Double Negative |
Mark Breakspear | ... | visual effects supervisor: Rainmaker UK |
James Breen | ... | line-up: Cinesite |
Steve Brooke Smith | ... | additional operator: model unit |
Gary Brozenich | ... | visual effects supervisor: MPC |
Shauna Bryan | ... | visual effects executive producer: Rainmaker UK |
Jose Burgos | ... | computer graphics artist: Rainmaker UK |
Mark Buschbacher | ... | scanning operator: Cinesite |
Paul Campion | ... | previs: MPC |
Daniel Canfora | ... | digital artist: The Senate VFX |
Adriano Cirulli | ... | digital artist: The Senate VFX |
Ashley Clark | ... | visual effects associate producer: Rainmaker UK |
Isabel Cody | ... | computer graphics artist: MPC |
Angela Cole | ... | computer graphics artist: MPC |
Peter Connelly | ... | digital artist: MPC |
Michelle Corney | ... | visual effects producer: MPC |
Ciaran Crowley | ... | lead artist: Double Negative |
Neil Damman | ... | lead model maker: MMAD |
Martin R. Davison | ... | digital artist: The Senate VFX (as Martin Davison) |
Kristin Dearholt | ... | digital production manager: Rainmaker UK |
Claudia Dehmel | ... | visual effects coordinator: Double Negative |
Max Dennison | ... | lead matte painter: The Senate VFX |
Ferran Domenech | ... | computer graphics artist: MPC |
Nick Drew | ... | visual effects producer: Rainmaker UK |
Michael Elson | ... | executive producer: MPC |
Daniel Evans | ... | shader artist: Double Negative (as Dan Evans) |
Sean Farrow | ... | digital artist: The Senate VFX (as Sean H. Farrow) |
Andy Feery | ... | senior technical director: MPC |
Richard Friedlander | ... | visual effects producer: Brainstorm Digital |
John J. Galloway | ... | digital artist: Double Negative (as John Galloway) |
Steve Garrad | ... | visual effects producer: Double Negative |
Adam Gascoyne | ... | compositing supervisor: MPC |
Roger Gibbon | ... | digital matte painter: MPC |
David Gibbons | ... | digital matte painter: MPC |
Rohit Gill | ... | digital artist: Double Negative |
Ben Goldschmied | ... | motion control operator |
Lisa Gonzalez | ... | matchmover: MPC |
Holly Gosnell | ... | visual effects assistant |
Sandra Guarda | ... | digital artist: The Senate VFX |
Metin Gungor | ... | digital artist: The Senate VFX |
Pete Hanson | ... | studio manager: Double Negative |
Mick Harper | ... | digital artist: The Senate VFX |
Mark Harrison | ... | computer graphics artist: Rainmaker |
Jeremy Hattingh | ... | lead artist: Double Negative |
Barrie Hemsley | ... | visual effects producer |
Sarah Hemsley | ... | operations manager: The Senate VFX |
David Hewitt | ... | model maker: MMAD |
Richard Higham | ... | digital artist: The Senate VFX |
Martin Hobbs | ... | head of production: MPC |
Kay Hoddy | ... | roto/prep: MPC |
Robin Hollander | ... | digital artist: MPC |
Vlad Holst | ... | computer graphics artist: MPC |
Greg Howe-Davies | ... | roto/prep: MPC |
Robin Huffer | ... | digital artist |
Claire Inglis | ... | digital artist: Double Negative |
Alex Ireland | ... | digital artist: Double Negative |
Anna V. James | ... | visual effects producer: The Senate VFX (as Anna Panton) |
Gemma James | ... | visual effects coordinator: MPC |
Lorraine Johnson | ... | scanning supervisor: Cinesite |
Phil Johnson | ... | lead artist: Double Negative |
Simon Johnson | ... | scanning operator: Cinesite |
Tim Jones | ... | lighting and rendering technical director: The Senate VFX |
Rafal Kaniewski | ... | compositor: Rainmaker UK |
Tomi Keeling | ... | motion control technician |
Uzma Khalid | ... | computer graphics artist: MPC |
Tom Kimberley | ... | digital artist: MPC |
Duncan Kinnaird | ... | digital artist |
Jesper Kjölsrud | ... | computer graphics supervisor: Double Negative |
Robin Konieczny | ... | digital artist: The Senate VFX |
Dean Koonjul | ... | compositor: MPC |
Mathew Krentz | ... | lead compositor: Rainmaker UK |
Pedro Lara | ... | digital artist: Double Negative (as Pedro Garcia) |
Kirsty Lawlor | ... | digital artist: Double Negative |
Tim Ledbury | ... | previs: MPC |
Simon Leech | ... | digital artist: The Senate VFX |
Jarrod Linton | ... | computer graphics artist: MPC |
James Madigan | ... | visual effects supervisor: The Senate VFX |
Angela Magrath | ... | matchmover: MPC |
Zebedee Massey | ... | visual effects matchmover |
Thomas Mawby | ... | digital artist: Double Negative (as Tom Mawby) |
Dan Mayer | ... | computer graphics artist: Rainmaker UK |
Lindsay McFarlane | ... | visual effects assistant producer (as Lindsay Mcfarlane) |
Nakia McGlynn | ... | matchmover: MPC |
Alasdair McNeill | ... | roto/prep supervisor: MPC |
Jan Meade | ... | projectionist: Cinesite |
Naveen Medaram | ... | roto/prep: MPC |
Ivan Mena | ... | digital artist: Double Negative |
Ian Menzies | ... | motion control supervisor |
Evonne Merlicek | ... | digital artist: Double Negative |
Matt Middleton | ... | computer graphics artist: MPC |
Rick Mietkowski | ... | director of photography: model unit |
Neil Miller | ... | digital matte painter: Double Negative |
Warren J. Mills | ... | I/O systems & network, The Senate VFX |
Mitch Mitchell | ... | head of imaging: Cinesite |
Dylan Murray | ... | matchmover: MPC |
Dan Neal | ... | digital environments lead: MPC |
Joelle Newton-Mold | ... | digital artist: The Senate VFX |
Giles O'Brien | ... | digital artist: The Senate VFX |
Jonathan Opgenhaffen | ... | computer graphics artist: Rainmaker UK (as Jon Opgenhaffen) |
Scott Orge | ... | model maker: MMAD |
Dylan Owen | ... | roto/prep: MPC |
Joe Pavlo | ... | digital artist |
Simon Payne | ... | matchmover: MPC |
Enrico Perei | ... | compositor: Rainmaker UK |
Mike Pope | ... | digital artist: The Senate VFX |
Tim Pounds-Cornish | ... | visual effects editor: MPC |
Thomas Power | ... | model maker: MMAD |
Scott Pritchard | ... | digital artist: MPC |
Les Quinn | ... | lead computer graphics: Rainmaker UK |
Adrian Ratley | ... | visual effects matchmover |
Sandra Reis | ... | digital artist: Double Negative |
Paul Riddle | ... | digital effects supervisor: Double Negative |
John Roberts-Cox | ... | computer graphics artist: MPC |
Eric J. Robertson | ... | visual effects supervisor: Brainstorm Digital |
Xavier Roig | ... | lead artist: Double Negative |
Tom Rolfe | ... | lead artist: Double Negative |
Patric Roos | ... | senior technical director: MPC |
Campbell Rose | ... | digital artist: The Senate VFX |
Stuart Rowbottom | ... | digital artist: The Senate VFX |
Jackie Rowson | ... | digital artist: The Senate VFX |
Mohamed Sobhy | ... | software development: MPC / support: MPC |
Richard Stammers | ... | visual effects supervisor: MPC |
Robert Stannage | ... | model maker: MMAD |
Rainer Stolle | ... | computer graphics artist: MPC |
Natalie Stopford | ... | visual effects coordinator: Rainmaker UK |
Mark Sum | ... | line-up: Cinesite |
Richard Thomas | ... | senior model maker: MMAD |
Chris Thunig | ... | digital matte artist: MPC |
Luigi Tommaseo | ... | I/O systems & network: The Senate VFX |
Leigh Took | ... | model supervisor: MMAD |
Dave Tozer | ... | visual effects coordinator: The Senate VFX (as David Tozer) |
Tom Truscott | ... | digital artist: The Senate VFX |
Liam Tully | ... | studio manager: Double Negative |
Miquel Ubeda | ... | digtial artist: MPC |
Giuliano Dionisio Vigano | ... | digital artist: The Senate VFX |
Victor Wade | ... | lead artist: Double Negative |
Niki Wakefield | ... | digital artist: Double Negative |
Pieter Warmington | ... | lead artist: Double Negative |
Rebecca Waters | ... | digital artist: Double Negative |
Danny Webster | ... | hod rigger: model unit |
Su Whitaker | ... | visual effects art director |
Sheila Wickens | ... | digital artist: MPC (as Sheila Gorman) |
Doug Winder | ... | digital artist: The Senate VFX |
Scott Winston | ... | compositing supervisor: Brainstorm Digital |
Melody Woodford | ... | matchmove supervisor: MPC |
Sophie Worley | ... | model maker: MMAD |
Trevor Young | ... | digital artist: Double Negative |
Anton Yri | ... | digital artist: The Senate VFX |
Paul Alexiou | ... | visual effects film editorial: MPC (uncredited) |
Andrew Baggarley | ... | data wrangler (uncredited) |
Reuben Barkataki | ... | roto/prep supervisor (uncredited) |
Angela Barson | ... | digital compositor: MPC (uncredited) |
Tim Barter | ... | roto/prep artist (uncredited) |
Julian Blom | ... | rotoscope artist (uncredited) |
Christina Boon | ... | camera animator (uncredited) |
Steve Bowen | ... | digital film colorist (uncredited) |
Hayley Brazelton | ... | roto/prep artist: MPC (uncredited) |
Nik Brownlee | ... | rotoscope artist: Double Negative (uncredited) |
Stuart Bullen | ... | roto/prep artist (uncredited) |
Jon Capleton | ... | matchmove artist (uncredited) |
Simon Carr | ... | digital compositor (uncredited) |
Patrick Clancey | ... | digital opticals (uncredited) |
Emma Clifton | ... | roto/prep artist: MPC (uncredited) |
Ross Colgan | ... | systems support: MPC (uncredited) |
Shane Costar | ... | digital compositor (uncredited) |
Dayne Cowan | ... | previs artist: Double Negative (uncredited) |
Donnie Creighton | ... | digital intermediate assistant producer (uncredited) |
Dimitri Delacovias | ... | digital matte painter (uncredited) |
Amit Desai | ... | render wrangler: MPC (uncredited) |
Jason Dowdeswell | ... | production supervisor: Rainmaker UK (uncredited) |
Martyn Drake | ... | systems: MPC (uncredited) |
Jonathan East | ... | render wrangler: MPC (uncredited) |
Tim Field | ... | visual effects producer: The Senate VFX (uncredited) |
Matt Foster | ... | roto/prep artist (uncredited) |
Richard Fox | ... | roto/prep artist (uncredited) |
Paul J. Franklin | ... | previs artist: Double Negative (uncredited) |
Warren Franklin | ... | President Rainmaker UK (uncredited) |
Jami Gigot | ... | digital artist (uncredited) |
Lewis Guarniere | ... | data wrangler: MPC (uncredited) |
James Guy | ... | visual effects artist (uncredited) |
Venetia Hadley | ... | scanning operator (uncredited) |
Sebastien Haure | ... | senior modeler: MPC (uncredited) |
Lionel Heath | ... | roto/prep: MPC (uncredited) |
Jan Hektor | ... | matchmove Artist: MPC (uncredited) |
Sean Heuston | ... | digital compositor (uncredited) |
Simon Hughes | ... | digital compositor: Double Negative (uncredited) |
Marc Hutchings | ... | roto/prep artist: MPC (uncredited) |
Ryan Hutchings | ... | roto/prep artist: MPC (uncredited) |
Peng Ke | ... | matchmover: MPC (uncredited) |
Ryan Knowles | ... | data operator (uncredited) |
Bastiaan Koch | ... | visual effects consultant (uncredited) |
Serena Lam | ... | roto/prep artist (uncredited) |
Ricky Leach | ... | digital artist: The Senate VFX (uncredited) |
Duncan Lees | ... | head of 3D services (Plowman Craven and Associates) (uncredited) |
Colin Liggett | ... | digital compositor (uncredited) |
Steve Lynn | ... | technical support (uncredited) |
Aysha Madina | ... | previs animator (uncredited) |
Thomas Mathai | ... | data manager (uncredited) |
Steve McGee | ... | digital compositor (uncredited) |
Paul McWilliams | ... | roto/prep (uncredited) |
Ellen E. Miki | ... | roto artist (uncredited) |
Marta Mintenko | ... | visual effects coordinator (uncredited) |
John Moffatt | ... | digital compositor (uncredited) |
Gary Morton | ... | model construction manager (uncredited) |
Ryan Mullany | ... | roto artist (uncredited) |
Salima Needham | ... | digital compositor (uncredited) |
Mark Pinheiro | ... | visual consultant: Escape Studios (uncredited) |
Carmen Pollard | ... | digital compositor (uncredited) |
John Purdie | ... | roto/prep (uncredited) |
Wendy Seddon | ... | digital artist (uncredited) |
Robert Sethi | ... | previs artist: Double Negative (uncredited) |
Daphne Simone | ... | visual effects (uncredited) |
Danita Slaughter | ... | digital opticals editor (uncredited) |
Mario Spanna | ... | video mix/overlay operator (uncredited) / visual effects unit video assist operator (uncredited) |
Anthony Stadler | ... | rotoscope artist (uncredited) |
Paul Venn Stirling | ... | roto/prep artist: MPC (uncredited) |
Christopher Sweet | ... | studio assistant: Double Negative (uncredited) |
Nicholas Symons | ... | previs animator (uncredited) |
Scott Taylor | ... | digital compositor: Double Negative (uncredited) |
Thomas Ward | ... | pre-visualization animator: Double Negative (uncredited) |
Ollie Weigall | ... | film assistant (uncredited) |
Paul Wiens | ... | matchmove artist (uncredited) |
Chris Wilson | ... | render wrangler: MPC (uncredited) |
Oliver Winwood | ... | assistant digital resource manager: MPC (uncredited) |
Anna Yamazoe | ... | render wrangler: MPC (uncredited) |
Stunts
Gary Arthurs | ... | stunts |
Bruce Cain | ... | stunts |
Nick Chopping | ... | stunts |
Graeme Crowther | ... | stunts (as Graham Crowther) |
Ricardo Cruz | ... | stunt performer |
Kelly Dent | ... | stunts |
Bradley Farmer | ... | stunts |
David Fisher | ... | stunts |
James Grogan | ... | stunts |
Paul Herbert | ... | stunts |
Jason Hunjan | ... | stunts |
Rowley Irlam | ... | stunts |
Charles Jarman | ... | stunts |
Peter Julian | ... | stunt performer |
Dominique Julienne | ... | stunt coordinator: France |
Rémy Julienne | ... | stunt coordinator: France |
Guy List | ... | stunts |
Daniel Naprous | ... | stunts |
Ray Nicholas | ... | stunts |
James O'Donnell | ... | stunts (as James O'Dee) |
Greg Powell | ... | stunt coordinator |
Dominic Preece | ... | stunts |
Gordon Seed | ... | stunts |
Paul Shapcott | ... | stunts |
Diz Sharpe | ... | stunt double |
Matthew Stirling | ... | stunts |
Rocky Taylor | ... | stunts |
Bill Weston | ... | stunts |
Joanna Whitney | ... | stunts |
Tom Aitken | ... | stunts (uncredited) |
Roy Alon | ... | stunts (uncredited) |
Jean-Marc Bellu | ... | stunt driver (uncredited) |
Patrick Bernaud | ... | stunt driver (uncredited) |
Vincent Bersoulle | ... | stunts (uncredited) |
Serge Beuchat | ... | stunts (uncredited) |
Dani Biernat | ... | stunt performer (uncredited) |
Scott Brady | ... | stunt performer (uncredited) |
Michael Byrch | ... | stunt performer (uncredited) |
Chris Carey | ... | stunts (uncredited) |
Tony Christian | ... | stunt performer (uncredited) |
George Cottle | ... | stunt performer (uncredited) |
Ben Dimmock | ... | stunts (uncredited) |
Levan Doran | ... | stunt performer (uncredited) |
Rick English | ... | stunt driver (uncredited) |
Pete Ford | ... | stunt performer (uncredited) |
Dean Forster | ... | stunts (uncredited) |
Amanda Foster | ... | stunt performer (uncredited) |
Sarah Franzl | ... | stunt performer (uncredited) |
Jade Gordon | ... | stunt department production coordinator (uncredited) |
James Grogan | ... | stunt double: Tom Hanks (uncredited) |
Paul Howell | ... | stunts (uncredited) |
Luke Kearney | ... | stunt performer (uncredited) |
Tolga Kenan | ... | stunts (uncredited) |
Paul Kennington | ... | stunt performer (uncredited) |
Adam Kirley | ... | stunt performer (uncredited) |
Paul Kulik | ... | stunt double (uncredited) |
Russell MacLeod | ... | stunt performer (uncredited) |
Marc Mailley | ... | stunt double: Young Robert Langdon (uncredited) |
Andy Merchant | ... | utility stunts (uncredited) |
Peter Miles | ... | stunt performer (uncredited) |
Lee Millham | ... | stunt performer (uncredited) |
Jamie Millington | ... | stunts (uncredited) |
Philippe Morel | ... | stunts (uncredited) |
James O'Donnell | ... | stunt double: Paul Bettany, 2nd unit (uncredited) |
Justin Pearson | ... | stunt performer (uncredited) |
Peter Pedrero | ... | utility stunts (uncredited) |
Chris Pollard | ... | stunt performer (uncredited) |
Jude Poyer | ... | stunt performer (uncredited) |
Curtis Rivers | ... | stunt performer (uncredited) |
Salvatore Rombi | ... | stunt driver (uncredited) |
Roy Taylor | ... | stunt performer (uncredited) |
Bertrand Triguer | ... | stunts (uncredited) |
Frédéric Vallet | ... | stunts (uncredited) |
Ian van Temperley | ... | stunts (uncredited) |
Chris Webb | ... | stunt performer (uncredited) |
Jason White | ... | stunts (uncredited) |
Joanna Whitney | ... | stunt double: Audrey Tautou (uncredited) |
Billy Worth | ... | stunts (uncredited) |
Steen Young | ... | stunt performer (uncredited) |
Camera and Electrical Department
Bill Beenham | ... | h.o.d. electrical rigger (as William Beenham) |
Berto | ... | camera operator, second unit, France |
Jeremy Braben | ... | director of photography: aerial unit |
Leon Buckley | ... | video assist: model unit |
Steve Burgess | ... | focus puller: second unit, UK |
Eric Catelan | ... | camera operator: second unit, France |
John Conroy | ... | focus puller: 'a' camera |
Fanny Coustenoble | ... | video trainee |
Jean-François Drigeard | ... | best boy electric: France |
Luc Drion | ... | camera operator: second unit, France |
Mark 'Rocky' Evans | ... | chief rigging electric (as Mark Evans) |
Perry Evans | ... | chief lighting technician |
Warren Evans | ... | chief rigging electric |
John Flemming | ... | key grip |
Candide Franklyn | ... | camera operator: 'a' camera / steadicam operator |
Jean-Yves Freess | ... | key grip: France |
Stuart Godfrey | ... | key grip: model unit |
Luke Andrew Haddock | ... | video coordinator (as Andrew Haddock) |
Tony Hannington | ... | best boy: model unit |
Simon Hume | ... | focus puller: 'b' camera |
Nikos Kalimerakis | ... | best boy electric: second unit, UK |
Jean-Pierre Lacroix | ... | gaffer: France (as Jean Pierre Lacroix) |
Alex Lamarque | ... | director of photography: second unit, France (as Alexandre Lamarque) |
Éric Le Roux | ... | camera operator: second unit, France |
Susan Luciani | ... | clapper loader: model unit (as Su Luciani) |
Simon Mein | ... | still photographer |
Ossa Mills | ... | rigging gaffer |
Philip Murphy | ... | dolly grip |
Ronan Murphy | ... | dolly grip |
Graham Norton III | ... | focus puller: second unit, UK |
Ashley Palin | ... | gaffer: second unit, UK |
Ricky Pattenden | ... | location gaffer |
Toby Plaskitt | ... | key grip: second unit, UK |
Dave Ridout | ... | chief rigging electric (as David Ridout) |
Gérard Rival | ... | best boy grip: France |
Derek Russell | ... | best boy grip |
Adrian Spanna | ... | video assist operator: second unit, UK |
Fraser Taggart | ... | director of photography: second unit, UK |
Salvatore Totino | ... | camera operator |
Fran Weston | ... | focus puller: model unit |
Shawn White | ... | gaffer: model unit |
Rene Adefarasin | ... | second assistant camera: 'a' camera (uncredited) |
Jean-Christophe Allain | ... | second assistant camera: second unit (uncredited) |
Luis Armando Arteaga | ... | additional second assistant camera (uncredited) |
Yannick Audige | ... | electrician (uncredited) |
Fabrice Bismuth | ... | first assistant camera: second unit, Paris (uncredited) |
Damien Bret | ... | electrician (uncredited) |
Juliette Castanier | ... | second assistant camera: second unit, Paris (uncredited) |
Eric Cuffini | ... | best boy electric (uncredited) |
Nic Cupac | ... | grip (uncredited) |
Martin De Chabaneix | ... | second assistant camera: second unit, Paris (uncredited) |
Adrien Debackere | ... | second assistant camera: France (uncredited) |
Benoît Deconchat | ... | grip (uncredited) |
Sylvestre Dedise | ... | electrician (uncredited) |
Hervé Denis | ... | electrician (uncredited) |
Pascal Doyen | ... | electrician (uncredited) |
Nabil Dridi | ... | electrician (uncredited) |
Graham Driscoll | ... | desk op (uncredited) |
Aurélien Dubois | ... | electrician (uncredited) |
Jean-Marc Duez | ... | grip (uncredited) |
Laurence Edwards | ... | crane technician (uncredited) |
Olivier Fortin | ... | first assistant camera: second unit, Paris (uncredited) |
Martin Frederic | ... | camera assistant: aerial unit (uncredited) |
Remy Freess | ... | grip (uncredited) |
Billy Gamble | ... | electrician (uncredited) |
Manuel Gaspar | ... | electrician (uncredited) |
Arnaud Gervet | ... | additional video assistant: second unit, Paris (uncredited) |
Paul Ghafoorian | ... | grip: additional (uncredited) |
Clement Gharini | ... | camera operator: flying camera (uncredited) |
Eric Gies | ... | electrician (uncredited) |
Oliver Greco | ... | first assistant camera: second unit, Paris (uncredited) |
Daniel Greenway | ... | video assist trainee (uncredited) |
Emile Henny | ... | film loader (uncredited) |
Steve Hideg | ... | crane technician (uncredited) |
Darren Holland | ... | key grip: second unit, France (uncredited) |
Lewis Hume | ... | second assistant camera: 'b' camera (uncredited) |
Andrew Jones | ... | camera trainee: second unit (uncredited) |
Jamie Knight | ... | rig electrician (uncredited) |
Eric Larsen | ... | grip (uncredited) |
David le Mevel | ... | electrician (uncredited) |
Sébastien Leclercq | ... | additional assistant camera (uncredited) / additional focus puller: second unit (uncredited) |
James Lewis | ... | loader: underwater camera (uncredited) |
Charlie Lia | ... | key grip (uncredited) |
Steve Macher | ... | electrical rigger (uncredited) |
Nicolas Maman | ... | electrician (uncredited) |
Keith Manning | ... | grip (uncredited) |
Jean-Philippe Marier | ... | grip (uncredited) |
Nicolas Martin-Beuchet | ... | electrician (uncredited) |
Gavin McKenzie | ... | computer and video playback technician: Useful Companies (uncredited) |
Jamie Mills | ... | electrician (uncredited) |
John J. Moers | ... | documentary cameraman (uncredited) |
Tim Molema | ... | second assistant camera: second unit (uncredited) |
Pierre Arnaud Ouvrard | ... | electrician (uncredited) |
Gary Owen | ... | electrician (uncredited) |
Justin Owen | ... | computer and video supervisor: Useful Companies (uncredited) |
Gary Pachany | ... | second assistant camera (uncredited) |
Benoît Pain | ... | second assistant camera: second unit, Paris (uncredited) |
Robert Palmer | ... | assistant camera (uncredited) |
Steeven Petitteville | ... | first assistant camera: second unit, Paris (uncredited) |
Mathieu Plainfossé | ... | camera loader (uncredited) |
Patrick Renault | ... | electrician (uncredited) |
Alexandre Ricco | ... | grip (uncredited) |
Chis Rountree | ... | grip (uncredited) |
Sam Sale | ... | video assist trainee: second unit (uncredited) |
Tom Scott | ... | rigger (uncredited) |
David Sinfield | ... | electrician (uncredited) |
Ian Sinfield | ... | electrician (uncredited) |
Tony Skinner | ... | rigging electrician: second unit (uncredited) |
Ian Speed | ... | libra technician (uncredited) |
James Swanson | ... | aerial director of photography (uncredited) |
Ryan Taggart | ... | second assistant camera: second unit, UK (uncredited) |
Alain Tanguy | ... | electrician (uncredited) |
Laurent Tangy | ... | first assistant camera: 'a' camera, second unit (uncredited) |
Olivier Thual | ... | grip (uncredited) |
Alf Tramontin | ... | steadicam operator (uncredited) |
Vincent Tulasne | ... | additional video assist operator: second unit, Paris (uncredited) |
Mike Valentine | ... | underwater camera operator (uncredited) |
Jean-Pierre Voisin | ... | electrician (uncredited) |
Oliver Ward | ... | camera technician: Wescam camera (uncredited) |
Paul Wheeldon | ... | second assistant camera: dailies (uncredited) |
Zoe Whittaker | ... | video assist operator (uncredited) |
Sarah Woodward | ... | central loader (uncredited) |
Joe Wright | ... | second assistant camera (uncredited) |
Casting Department
Emma Callinan | ... | casting assistant: UK |
Alberte Garo | ... | extras casting: France |
John Hubbard | ... | casting: UK |
Ros Hubbard | ... | casting: UK |
Michelle Lewitt | ... | casting associate: US (as Michelle Lewitt Ward) |
Randee Price | ... | casting associate: US |
Tom Swayne | ... | casting assistant: UK |
Colin Azzopardi | ... | casting assistant: Malta (uncredited) |
Brendan Donnison | ... | adr voice casting (uncredited) |
Bonello Gordon | ... | crowd casting (uncredited) |
Kelly Valentine Hendry | ... | casting assistant: UK (uncredited) |
Costume and Wardrobe Department
Wyatt Bartlett | ... | dresser: Mr. Hanks |
Sarah Bates | ... | costume supervisor: model unit |
Nathalie Causse | ... | dresser: Mr. Reno |
Nathalie Cercuel | ... | costume supervisor: France |
Yvonne Zarb Cousin | ... | costume supervisor: Malta |
Andrea Cripps | ... | assistant costume designer |
David Crossman | ... | assistant costume designer (as Dave Crossman) |
Dan Grace | ... | costume supervisor |
Chloé Lesueur | ... | dresser: Ms. Tautou |
Nicholas Roche-Gordon | ... | set costumer (as Nick Roche-Gordon) |
Mark Sutherland | ... | costumer |
Jennifer Alford | ... | costume maker (uncredited) |
Suzanne Barnes | ... | costume buyer (uncredited) |
Delphine Brunet | ... | dressing room manager: France (uncredited) |
Peter k Christopher | ... | costume assistant (uncredited) |
Peter Edmonds | ... | costume assistant (uncredited) |
Sjølander Embroidery | ... | embroidery (uncredited) |
Jenny Hawkins | ... | wardrobe mistress (uncredited) |
Anna Hinds | ... | costume department assistant (uncredited) |
Stephen Kill | ... | costume property maker (uncredited) |
Vidya Krishnamurthy | ... | daily costume assistant (uncredited) |
Yvonne Otzen | ... | costumer (uncredited) |
Timothy Shanahan | ... | chief costume dyer/ager (uncredited) |
Emily-Rose Yiaxis | ... | costume breakdown assistant (uncredited) |
Editorial Department
Steve Bowen | ... | digital colorist |
Carolyn Calvert | ... | assistant editor |
Simon Davis | ... | assistant editor |
Tom Elkins | ... | assistant editor |
Suzy Gilbert | ... | assistant editor |
Robert Komatsu | ... | associate editor |
Mindy Weissman | ... | post-production |
Ben Estrada | ... | assistant digital intermediate colorist (uncredited) |
Dale Jones | ... | avid technical advisor/editor (uncredited) |
Perry M. Kimura | ... | digital scanning and recording (uncredited) |
Steve Pang | ... | dailies assistant editor (uncredited) |
Lawrence Howard Williams | ... | post digital media operator (uncredited) |
Location Management
Rupert Bray | ... | location manager: second unit, UK |
Sam Breckman | ... | location manager |
Duncan Broadfoot | ... | location assistant: scotland |
Piers Dunn | ... | location manager |
Joseph Formosa Randon | ... | location manager: Malta |
Nicolas Foulatier | ... | location manager: Paris |
Isabelle Gautier | ... | key location manager: France |
Laurent Grenaud | ... | location manager: France |
Chris Moore | ... | assistant location manager (as Christopher Moore) |
Duncan Muggoch | ... | location manager |
Olivier Servanin | ... | location manager: Paris |
Tracey Tucker | ... | assistant location manager |
Alexandra Weyers | ... | location manager: France |
Pierre Agius | ... | assistant location manager (uncredited) |
Richard Berkeley | ... | location assistant (uncredited) |
Arnaud Boussac | ... | assistant location manager (uncredited) |
Perrine Coulogner | ... | assistant location manager (uncredited) |
Sarah Delooz | ... | assistant location manager (uncredited) |
Alexis Giraudeau | ... | location production assistant (uncredited) |
Eric Govignon | ... | location production assistant (uncredited) |
Pierre Hue | ... | assistant location manager (uncredited) |
Philip Lobban | ... | location scout (uncredited) |
Stephanie Micco | ... | location runner (uncredited) |
Jean-Philippe Moreteau | ... | assistant location manager (uncredited) |
Christel Rasquin | ... | assistant location manager Paris (uncredited) |
Mélanie Ravot | ... | assistant location manager: France (uncredited) |
Bachir Sareh | ... | assistant location manager (uncredited) |
Jason Wheeler | ... | locations (uncredited) |
Music Department
Lindsay Ashworth | ... | singer |
Bob Badami | ... | music supervisor: SPE |
Chris Barrett | ... | assistant music engineer |
Becky Bentham | ... | score coordinator |
Maya Bickel | ... | musician: violin |
Nicholas Bucknall | ... | musician: clarinet |
Heather Cairncross | ... | singer |
Simon Changer | ... | music editor |
Paul Clarvis | ... | musician: percussion |
Al Clay | ... | music mixer |
Dee Lewis Clay | ... | musician: vocals (as Dee Lewis) |
Anne-Marie Cullum | ... | singer |
Michael Dore | ... | singer |
Sarah Eyden | ... | singer |
Joanna Forbes | ... | singer |
Geoff Foster | ... | music recordist |
Fretwork | ... | musician: viols solo |
Cathy Giles | ... | musician: cello |
Nick Glennie-Smith | ... | conductor: choir |
Richard Harvey | ... | music conductor |
Henry Jackman | ... | music programmer |
Jake Jackson | ... | assistant music engineer |
Skaila Kanga | ... | musician: harp |
Gary Kettel | ... | musician: percussion |
Robert King | ... | choir contractor: The Choir of the King's Consort |
Joanna L'Estrange | ... | singer |
Hugh Marsh | ... | musician: violin solo |
Anna Noakes | ... | musician: flute |
Jenny O'Grady | ... | choir contractor |
Sam Okell | ... | assistant music engineer |
Daniel Pinder | ... | music consultant: SPE |
Hila Plitmann | ... | musician: soprano solos |
Graham Preskett | ... | choir arranger |
Michael Price | ... | booth reader |
Frank Ricotti | ... | musician: percussion |
Russell Scott | ... | choir |
Lindsay Shilling | ... | musician: trombone |
Jonathan Snowden | ... | musician: flute |
Tony Stanton | ... | music preparation |
Jon Thorne | ... | musician: viola |
Martin Tillman | ... | musician: cello solo |
Rebecca Trehearn | ... | singer |
Mel Wesson | ... | ambient music designer |
Mark Wherry | ... | technical score engineer |
Andrew Wood | ... | musician: trombone |
Emily Yarrow | ... | singer |
Warren Zielinski | ... | musician: violin |
Lorne Balfe | ... | composer: additional music (uncredited) |
Mark Berrow | ... | musician: violin (uncredited) |
Thomas Bowes | ... | musician: violin (uncredited) |
Ann De Renais | ... | choir member (uncredited) |
Jim Dooley | ... | composer: additional music (uncredited) |
Bruce Fowler | ... | orchestrator (uncredited) |
Walt Fowler | ... | orchestrator (uncredited) |
Rick Giovinazzo | ... | orchestrator (uncredited) |
Nick Glennie-Smith | ... | composer: additional music (uncredited) |
Richard Harvey | ... | composer: additional music (uncredited) |
Bart Hendrickson | ... | Samples Guru (uncredited) |
Paul Kegg | ... | musician: cello (uncredited) |
Steven Kofsky | ... | music production services (uncredited) |
Anzu Lawson | ... | featured vocalist (uncredited) |
Abhay Manusmare | ... | score engineer (uncredited) |
Alan Meyerson | ... | music mixer (uncredited) |
Blake Neely | ... | composer: additional music (uncredited) |
Darian Pollard | ... | music consultant (uncredited) |
Marika Rauscher | ... | film soundtrack and trailer (uncredited) |
Taylor Stewart | ... | technical score engineer (uncredited) |
James Thatcher | ... | musician: French horn (uncredited) |
Bruce White | ... | musician: viola (uncredited) |
Jonathan Williams | ... | musician: cello (uncredited) |
Transportation Department
Nathalie Anselme | ... | transportation coordinator: France |
Peter Devlin | ... | transport coordinator |
Denis Frezet | ... | transportation captain: France |
Darren Litten | ... | action vehicle coordinator |
Richard Magennis | ... | driver: props runaround |
Dean Moran | ... | transportation coordinator |
Christelle Bladinières | ... | production driver (uncredited) |
Alan Canty | ... | driver: Paul Bettany (uncredited) |
Rhonda Edmonds Constantin | ... | transportation co-captain: France (uncredited) |
Darren Fenny | ... | transportation (uncredited) |
Kash Hameed | ... | unit driver (uncredited) |
Chris Hammond | ... | unit minibus driver (uncredited) |
Enyo Mortty | ... | driver: Audrey Taotou (uncredited) |
Olivier Suffert | ... | production driver (uncredited) |
Harry Taylor | ... | driver: Akiva Goldsman (uncredited) |
Tony Wadsworth | ... | driver (uncredited) |
Ian Yea | ... | facility driver (uncredited) |
Other crew
Sophie Aitken | ... | caterer / craft service |
Clare Aldington | ... | production assistant |
Kirsten Anderson | ... | first assistant accountant |
Kimi Armstrong Stein | ... | assistant: Mr. Grazer (as Kimi Armstrong) |
Vanessa Baker | ... | looping group |
Fiona Baldwin | ... | production assistant |
Christine Bodelot | ... | production accountant: France |
Stéphane Bourdon | ... | armourer |
Dan Brown | ... | additional codes |
Hannah Brown | ... | production assistant |
Victoria Cadiou | ... | production coordinator (as Victoria Hawden) |
Gavin Carruthers | ... | production assistant |
Carmel Cassidy | ... | assistant accountant |
Christine Charrier | ... | production secretary: France |
Anna Culp | ... | additional codes |
Jim DeMarco | ... | assistant accountant (as James DeMarco) |
Brendan Donnison | ... | looping group |
Penny Dyer | ... | dialect coach |
Sam Engelen | ... | assistant: Mr. Goldsman |
Rita Galea | ... | production coordinator: Malta |
Andrea Giannetti | ... | studio executive: development |
Michael Goosen | ... | production controller |
Nicky Gregory | ... | unit nurse (as Nicola Gregory) |
Jacques Grousset | ... | caterer: France / craft service: France |
Jean-Louise Grousset | ... | caterer: France (as Jean-Louis Grousset) / craft service: France (as Jean-Louis Grousset) |
Peggy Hall | ... | dialect coach (as Peggy Hall Plessas) |
Alan Hausmann | ... | armorer |
Vince Jordan | ... | caterer / craft service |
Claudia Kalindjian | ... | unit publicist |
Karen King | ... | consultant |
Nick Komornicki | ... | armorer |
Pankaj Kothari | ... | marketing: In film integration: ATL: BTL |
Rita Kozma | ... | payroll accountant |
Andy Madden | ... | production assistant |
Polly Mallinson | ... | assistant: Mr. Hanks |
Sasha Markova | ... | assistant: Mr. Bettany |
Richard McBrien | ... | consultant (as Father Richard McBrien) |
Lisa Medwid | ... | executive: Skylark Productions |
Janie Nugent | ... | production assistant (as Janie Dowding) |
Omelihu Nwanguma | ... | production assistant (as Mel Nwanguma) |
Jaesung Oh | ... | set production assistant: model unit (as Jae Oh) |
Anji Oliver | ... | assistant production coordinator |
Ryan Patrick-Najibi | ... | production coordinator |
Annie Penn | ... | script supervisor |
Talley Singer | ... | assistant: Mr. Hallowell |
Luke Stevenson | ... | production assistant |
Adam Teeuw | ... | production assistant |
Franck Viano | ... | assistant: Mr. Reno |
Louise Wade | ... | script supervisor: second unit, UK |
Mindy Weissman | ... | assistant to producers |
Margaret Whitman | ... | assistant: Mr. Howard (as Margaret E. Whitman) |
Eileen Yip | ... | production assistant |
Rebecca Anastasi | ... | production assistant (uncredited) |
Joe Barlow | ... | set production assistant (uncredited) |
Stephanie Bell | ... | armory painter (uncredited) |
Samantha Black | ... | production coordinator: second unit (uncredited) |
Julie Burnham | ... | unit nurse: second unit (uncredited) |
Matthew Butler-Hart | ... | assistant to ian mckellen (uncredited) |
Adam Byles | ... | floor runner: second unit (uncredited) |
Diarmuid Coghlan | ... | accounting assistant (uncredited) |
Judith Edwards | ... | construction nurse (uncredited) |
Wesley Ellul | ... | production assistant (uncredited) |
Mavis Formosa | ... | assistant production coordinator (uncredited) |
Joshua Cassar Gaspar | ... | production assistant (uncredited) |
Flax Glor | ... | publicist (uncredited) |
Jess Green | ... | accountant runner (uncredited) |
Sarah Hood | ... | additional set runner (uncredited) |
Jason Horwood | ... | stand-in: Tom Hanks (uncredited) |
Spencer Hudson | ... | consultant (uncredited) |
Sarah Hunt | ... | construction accountant (uncredited) |
Paula Jack | ... | additional dialect coach (uncredited) |
Francesca Jaynes | ... | choreographer (uncredited) |
Lynne Kemp | ... | production assistant (uncredited) |
Angela R. Knight | ... | walk-on: ritual priestess (uncredited) |
Deborah Leakey | ... | first assistant accountant (uncredited) |
Mehmet Mahmut | ... | film extra (uncredited) |
Frankie Malhotra | ... | production assistant (uncredited) |
Miroslav Milanovic Miki | ... | set production assistant (uncredited) |
Laura Miles | ... | script supervisor daily (uncredited) |
Tony Muro | ... | publicist (uncredited) |
John Nixon | ... | armorer (uncredited) |
Frédéric North | ... | aerial coordinator (uncredited) |
Sebastien Ordonez | ... | production assistant (uncredited) |
Laura Pearson-Smith | ... | set production assistant (uncredited) |
James Phelps | ... | runner (uncredited) |
David Pinkus | ... | daily crowd production assistant (uncredited) |
Kathryn Prince | ... | sculptor (uncredited) |
Norman Campbell Rees | ... | stand-in (uncredited) |
Ivor Shier | ... | helicopter pilot (uncredited) |
David Sillery | ... | assistant to armorer (uncredited) |
Charmaine Spiteri | ... | assistant accountant (uncredited) |
Simon Staines | ... | creative supervisor: Useful Companies (uncredited) |
Craig Topham | ... | set production assistant: dailies (uncredited) |
Sara-Jane Valentine | ... | computer and video coordinator: Useful Companies (uncredited) |
Rachel Welch | ... | assistant accountant (uncredited) |
Richard Wild | ... | weather consultant (uncredited) |
Mike Woodley | ... | aerial coordinator (uncredited) |
Sandie Wright | ... | production assistant (uncredited) |
Galea Yolanda | ... | assistant accountant (uncredited) |
Thanks
Sylvie Barnaud | ... | special thanks: Prefecture de Police (as Commandant Sylvie Barnaud) |
Ricardo Bofill | ... | special thanks: Auteur du Projet Place du Marché Saint-Honoré (as Architecte Ricardo Bofill) |
Olivia Hsu Decker | ... | special thanks: Chateau de Villette |
Lady Victoria Leatham | ... | special thanks: Burghley House (as Lady Victoria Latham) |
Michel Macary | ... | special thanks: ADAGP copyright - Paris 2006 |
Michelle Ong | ... | special thanks: Carnet jewelry design |
I.M. Pei | ... | special thanks: Pyramide & Pyramide Inversee du Louvre (as Architecte I.M. Pei) |
Philippe Peugnet | ... | special thanks: SNCF Direction de la Communication |
Mr. Simon | ... | special thanks: Burghley House |